In A Melancholy Mood 11 (Bumper) - 14 mixes

  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/5
  • ISRC GB-FFM-16-58105
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/44
  • ISRC GB-FFM-16-58144
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/45
  • ISRC GB-FFM-16-58145
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/46
  • ISRC GB-FFM-16-58146
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/47
  • ISRC GB-FFM-16-58147
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/48
  • ISRC GB-FFM-16-58148
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/49
  • ISRC GB-FFM-16-58149
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/50
  • ISRC GB-FFM-16-58150
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/51
  • ISRC GB-FFM-16-58151
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/52
  • ISRC GB-FFM-16-58152
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/53
  • ISRC GB-FFM-16-58153
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/54
  • ISRC GB-FFM-16-58154
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/55
  • ISRC GB-FFM-16-58155
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 69 bpm (ends at 69)
  • Tempo Notes Slow
  • Album Number 2581/56
  • ISRC GB-FFM-16-58156
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid Ray Davies worked as a session player on Charlie Chaplin films in the the 1950s. He met Igor Stravinsky at Pinewood Studios whilst working on a Chaplin movie and got him to sign a copy of the Rite of Spring.

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