Track Details

Horrors 6 - 15 mixes

  1. Play
    Horrors 2646/7 Matt Nasir (PRS)
    Layered, dark minimal piano motifs with eerie choir, strings & brushed kit
    3:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64607
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  2. Play
    Horrors 2 2646/81 Matt Nasir (PRS)
    Layered, dark minimal piano motifs with eerie choir & strings. No drums
    3:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64681
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  3. Play
    Horrors 3 2646/82 Matt Nasir (PRS)
    Sparse ethereal eerie choir builds to brushed kit & strings. No piano
    3:02
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64682
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  4. Play
    Horrors 4 2646/83 Matt Nasir (PRS)
    Layered, dark & contemplative minimalist piano motifs
    2:10
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64683
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  5. Play
    Horrors 5 2646/84 Matt Nasir (PRS)
    Ambient ethereal & eerie choir textures with repeated motifs
    1:44
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64684
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  6. Play
    Horrors 6 2646/85 Matt Nasir (PRS)
    Sombre, sweeping, dark violins & cellos with a reflective atmosphere
    1:38
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64685
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  7. Play
    Horrors 7 (60) 2646/86 Matt Nasir (PRS)
    Layered, dark minimal piano motifs with eerie choir, strings & brushed kit
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64686
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  8. Play
    Horrors 8 (60) 2646/87 Matt Nasir (PRS)
    Minimal mix with eerie choir, solo violin & light piano motifs
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64687
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  9. Play
    Horrors 9 (60) 2646/88 Matt Nasir (PRS)
    Sombre, sweeping, dark violins & cellos with a reflective atmosphere
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64688
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  10. Play
    Horrors 10 (30) 2646/89 Matt Nasir (PRS)
    Layered, dark minimal piano motifs with eerie choir, strings & brushed kit
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64689
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  11. Play
    Horrors 11 (30) 2646/90 Matt Nasir (PRS)
    Layered, dark & contemplative minimalist piano motifs
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64690
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  12. Play
    Horrors 12 (30) 2646/91 Matt Nasir (PRS)
    Sombre, sweeping, dark violins & cellos with a reflective atmosphere
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64691
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  13. Play
    Horrors 13 (Sting) 2646/92 Matt Nasir (PRS)
    Layered, dark minimal piano motifs, strings & brushed drums sting
    0:15
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64692
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  14. Play
    Horrors 14 (Sting) 2646/93 Matt Nasir (PRS)
    Layered, dark minimal piano motifs & sombre cellos sting
    0:10
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64693
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  15. Play
    Horrors 15 (Sting) 2646/94 Matt Nasir (PRS)
    Layered, dark minimal piano motifs & single cello note sting
    0:05
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64694
    • PublisherAudio Network Limited
    • Release Year2016
    Factoid"The evil always comes from the details." - 'The Man from Beijing' by Henning Mankell
  1. Play
    Green Seventeen 2646/6 13 mixes Matt Nasir (PRS)
    Sombre, floaty piano with brushed kit, strings & Celtic style violin solo
    1:53
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  2. Play
    Morning Light 2497/7 5 mixes Lee Pomeroy (PRS) | David Michael (PRS)
    Intense, insistent minimalist solo piano with rhythmic circling patterns
    3:12
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  3. Play
    Past Memories 2497/6 9 mixes Lee Pomeroy (PRS) | David Michael (PRS)
    Gentle, wistful, yet soothing piano with delay FX & simple violin & viola
    2:53
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  4. Play
    Pure Air 2497/9 11 mixes Lee Pomeroy (PRS) | David Michael (PRS)
    Angelic female choir 'ahh's with hypnotic, rhythmic piano & delay FX
    3:00
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