Hootenanny Holler 6 (Sting) - 7 mixes

  • Key Bb/A# (ends in Bb/A#)
  • Metre 4/4
  • Tempo 196 bpm (ends at 200)
  • Tempo Notes Fast
  • Album Number 1998/1
  • ISRC GB-FFM-13-99801
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid A Hootenanny was originally an informal performance with audience participation
  • Key Bb/A# (ends in Bb/A#)
  • Metre 4/4
  • Tempo 196 bpm (ends at 200)
  • Tempo Notes Fast
  • Album Number 1998/7
  • ISRC GB-FFM-13-99807
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid A Hootenanny was originally an informal performance with audience participation
  • Key Bb/A# (ends in Bb/A#)
  • Metre 4/4
  • Tempo 196 bpm (ends at 200)
  • Tempo Notes Fast
  • Album Number 1998/8
  • ISRC GB-FFM-13-99808
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid A Hootenanny was originally an informal performance with audience participation
  • Key Bb/A# (ends in Bb/A#)
  • Metre 4/4
  • Tempo 196 bpm (ends at 200)
  • Tempo Notes Fast
  • Album Number 1998/9
  • ISRC GB-FFM-13-99809
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid A Hootenanny was originally an informal performance with audience participation
  • Key Bb/A# (ends in Bb/A#)
  • Metre 4/4
  • Tempo 196 bpm (ends at 200)
  • Tempo Notes Fast
  • Album Number 1998/10
  • ISRC GB-FFM-13-99810
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid A Hootenanny was originally an informal performance with audience participation
  • Key Bb/A# (ends in Bb/A#)
  • Metre 4/4
  • Tempo 196 bpm (ends at 200)
  • Tempo Notes Fast
  • Album Number 1998/11
  • ISRC GB-FFM-13-99811
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid A Hootenanny was originally an informal performance with audience participation
  • Key Bb/A# (ends in Bb/A#)
  • Metre 4/4
  • Tempo 196 bpm (ends at 200)
  • Tempo Notes Fast
  • Album Number 1998/12
  • ISRC GB-FFM-13-99812
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid A Hootenanny was originally an informal performance with audience participation

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