Track Details

Happy Everyday 3 - 11 mixes

  1. Play
    Happy Everyday 2389/1 Kes Loy (PRS) | Lincoln Grounds (PRS)
    Smiling acoustic sunshine pop with voices, whistling & electro organic beat
    2:05
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    • Tempo NotesFast
    • ISRCGB-FFM-15-38901
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  2. Play
    Happy Everyday 2 2389/7 Kes Loy (PRS) | Lincoln Grounds (PRS)
    Acoustic sunshine pop with whistling & electro organic beat. No vocals
    2:05
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    • Tempo NotesFast
    • ISRCGB-FFM-15-38907
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  3. Play
    Happy Everyday 3 2389/8 Kes Loy (PRS) | Lincoln Grounds (PRS)
    Acoustic sunshine pop instrumental. No vocals or whistling
    2:05
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    • Tempo NotesFast
    • ISRCGB-FFM-15-38908
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  4. Play
    Happy Everyday 4 2389/9 Kes Loy (PRS) | Lincoln Grounds (PRS)
    Bright acoustic underscore with guitar, marimba & beats
    2:05
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    • Tempo NotesFast
    • ISRCGB-FFM-15-38909
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  5. Play
    Happy Everyday 5 2389/10 Kes Loy (PRS) | Lincoln Grounds (PRS)
    Smiling acoustic nu folk with voices, whistling, guitar & mandolin
    2:05
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    • Tempo NotesFast
    • ISRCGB-FFM-15-38910
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  6. Play
    Happy Everyday 6 2389/11 Kes Loy (PRS) | Lincoln Grounds (PRS)
    Bright electro organic rhythm bed with beats, perc, vocal "hey" & synth
    2:05
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    • Tempo NotesFast
    • ISRCGB-FFM-15-38911
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  7. Play
    Happy Everyday 7 (60) 2389/12 Kes Loy (PRS) | Lincoln Grounds (PRS)
    Smiling acoustic sunshine pop with voices, whistling & electro organic beat
    1:00
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    • Tempo NotesFast
    • ISRCGB-FFM-15-38912
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  8. Play
    Happy Everyday 8 (30 Promo) 2389/13 Kes Loy (PRS) | Lincoln Grounds (PRS)
    Smiling acoustic sunshine pop promo with logo end
    0:30
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    • Tempo NotesFast
    • ISRCGB-FFM-15-38913
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  9. 0:08
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-15-38914
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  10. 0:06
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-15-38915
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  11. 0:04
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-15-38916
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidAlthough cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment
  1. Play
    Bright Morning 1855/3 17 mixes Christopher Brooke (PRS)
    Bright, uplifting contemporary folk with handclaps & quirky male vocals
    3:20
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  2. Play
    Duck Soup 2469/2 14 mixes David O'Brien (PRS) | Johnny Lithium (PRS)
    Laid back jazz trio with walking brass lines & carefree whistled melody
    2:19
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  3. Play
    Green Acre 1421/3 8 mixes Terry Devine-King (PRS) | Adam Drake (PRS)
    Carefree acoustic guitar with whistling & glockenspiel
    2:46
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  4. Play
    Happy Daze 2174/4 13 mixes Christopher Brooke (PRS)
    Uplifting, sunny folk with mandolin melodies, banjos & hand claps
    2:39
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  5. Play
    High Tide 1643/2 9 mixes Terry Devine-King (PRS) | Adam Drake (PRS)
    Light, peaceful acoustic guitars with gentle piano & serene female vocal
    2:27
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  6. Play
    Nu Morning 1347/2 11 mixes Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Cheerful nu-folk with simple acoustic band & whistled melody
    2:34
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