Track Details

Genesis One - 10 mixes

  1. Play
    Genesis One 2050/5 David O'Brien (PRS) | Chris Egan (PRS)
    Celestial choir & strings build to a rapturous climax with radar blips
    3:14
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-05005
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  2. Play
    Genesis One 2 2050/50 David O'Brien (PRS) | Chris Egan (PRS)
    Searching, celestial choir & expansive drone follows radar blips
    3:14
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-05050
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  3. Play
    Genesis One 3 2050/51 David O'Brien (PRS) | Chris Egan (PRS)
    Celestial choir & strings build to a rapturous climax
    3:15
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-05051
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  4. Play
    Genesis One 4 2050/52 David O'Brien (PRS) | Chris Egan (PRS)
    Celestial choir & eerie, mysterious pads
    2:59
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-05052
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  5. Play
    Genesis One 5 2050/53 David O'Brien (PRS) | Chris Egan (PRS)
    Beautiful alluring strings, harp & celeste flow, building to an expansive climax
    1:53
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-05053
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  6. Play
    Genesis One 6 (60) 2050/54 David O'Brien (PRS) | Chris Egan (PRS)
    Searching, celestial choir & expansive strings follow radar blips
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-13-05054
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  7. Play
    Genesis One 7 (30) 2050/55 David O'Brien (PRS) | Chris Egan (PRS)
    Searching, celestial choir & expansive strings follow radar blips
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-05055
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  8. 0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-05056
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  9. 0:07
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-05057
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  10. 0:06
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-13-05058
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidIn 1974, a broadcast was made into space. This broadcast, named the Arecibo message was of binary construction designed to demonstrate the technological achievement of the human race. Great in concept, but in reality the message would take 25,000 years to reach its destination, which would no longer be there when it arrived!
  1. Play
    Blackmail Letter 2427/3 16 mixes Chris Egan (PRS) | Trystan Francis (PRS)
    Sad, ominous, brooding. Orchestral & electronics soundscape
    2:52
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  2. Play
    Bleak 2493/4 9 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Oppressive, tragic drone with orchestra & deep, slow percussion
    2:31
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  3. Play
    Connection Lost 2664/3 8 mixes David O'Brien (PRS)
    Dark & eerie strings with ominous drum hits & sparse, haunting piano
    2:33
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  4. Play
    Deus Ex Machina 2 1875/27 9 mixes Darren Leigh Purkiss (PRS) | Stephen Baysted (PRS)
    Epic, dark, filmic choir & orchestra fx. No bass & less beats
    2:17
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  5. Play
    Endurance 2890/1 22 mixes Guy Farley (PRS) | Andrew Carroll (PRS)
    Emotive orchestral theme builds with subtle synth pulse
    3:47
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  6. Play
    Letters From The Past 4 2428/69 19 mixes Chris Egan (PRS) | Trystan Francis (PRS)
    Atmospheric fx with muted string orchestra. No piano
    2:27
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  7. Play
    Missing In Time 1857/8 7 mixes Luke Richards (PRS)
    Slow, dark & mysterious orchestral drama with choir. Cinematic, builds
    4:51
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  8. Play
    Pomp It Up 1857/6 10 mixes Nik Kershaw (PRS)
    Angelic choral anthem with strings building to crescendo & key change
    3:01
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  9. Play
    Pursuit In Jakarta 2530/6 10 mixes Gerrit Wunder (AKM)
    Filmic strings grow from pulsing drone, FX & hand drumming. Big end build
    3:49
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  10. Play
    Returning Home 1937/2 11 mixes Luke Richards (PRS)
    Sweeping cinematic orchestra moving from intimate to epic
    3:29
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  11. Play
    Terraforming 2629/7 7 mixes Jeff Dale (PRS) | Tim Reilly (PRS)
    Unearthly anxiety & bleeping fx develop into soothing harmonic end
    3:24
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  12. Play
    Treacherous 2728/1 3 mixes Bob Bradley (PRS)
    Pulsing bass note with spooky swirling textures, analogue filtering & distortion
    2:31
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  13. Play
    Waters Edge 2428/2 15 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
    Warm, gentle orchestral with acoustic guitar
    2:43
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