Track Details

Fallen Heart 14 (Ending) - 15 mixes

  1. Play
    Fallen Heart 1536/6 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Portentous, martial orchestral with cello building to sweeping, epic theme
    3:05
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53606
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  2. Play
    Fallen Heart 2 1536/70 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Portentous, martial orchestral building to sweeping, epic theme. No cello solo
    3:06
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53670
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  3. Play
    Fallen Heart 3 1536/71 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Building orchestral with cello. Epic theme. No breakdown in middle
    1:24
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53671
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  4. Play
    Fallen Heart 4 1536/72 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Building orchestral. Epic theme. No breakdown in middle or cello
    1:26
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53672
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  5. Play
    Fallen Heart 5 (60 Trailer) 1536/73 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Portentous, martial orchestral with cello building to sweeping, epic theme. Trailer
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53673
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  6. Play
    Fallen Heart 6 (60 Trailer) 1536/74 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Portentous, martial orchestral building to sweeping, epic theme. No cello solo
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-53674
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  7. Play
    0:47
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53675
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  8. Play
    Fallen Heart 8 1536/76 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Thoughtful, quiet strings. No build or piano
    0:45
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53676
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  9. Play
    Fallen Heart 9 (30 Trailer) 1536/77 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Martial orchestral building to sweeping, epic moment in the sun
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53677
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  10. Play
    Fallen Heart 10 (30 Trailer) 1536/78 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Martial orchestral with cello. Build tamed & kept under control
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53678
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  11. 0:30
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-53679
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  12. 0:17
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-53680
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  13. 0:14
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-53681
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  14. 0:15
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-53682
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  15. 0:07
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-53683
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThe cello was recorded live with the orchestra rather than overdubbed later. The orchestra struggled to play quietly enough at the beginning of the track to make room for the cello. Playing slowly and quietly is normally far harder than fast and loud!
  1. Play
    Animated 2105/1 7 mixes Patrick Hawes (PRS)
    Animated strings expand into a majestic & uplifting, full orchestral theme
    2:09
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  2. Play
    Break Up 2430/4 12 mixes Chris Egan (PRS) | Luke Richards (PRS)
    Sad, slow orchestral with emotional cello lead
    2:03
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  3. Play
    Far Away 1299/21 2 mixes Debbie Wiseman (PRS)
    Panoramic orchestral build & diminuendo
    0:56
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  4. Play
    Fields Of Honour 1169/1 6 mixes Paul Mottram (PRS)
    Proud, stirring large orchestral. Military side drum - building & cinematic
    4:19
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  5. Play
    First Survivors 1589/5 4 mixes Luke Richards (PRS)
    Haunting & powerful cinematic with soprano vocal
    3:43
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  6. Play
    Land of Promise 1216/3 5 mixes Terry Devine-King (PRS)
    Broad, panoramic, filmic orchestral. Royal Philharmonic Orchestra
    2:51
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  7. Play
    Mars 1392/1 11 mixes Nick Ingman (PRS) | Terry Devine-King (PRS)
    Grandiose orchestral opening into pounding, stirring theme with choir
    4:38
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  8. Play
    Secret Beauty 1427/1 2 mixes Luke Richards (PRS)
    Mellow choral leading to beautiful folk influenced violin, piano & guitar
    4:10
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  9. Play
    Sketches 1686/1 7 mixes Bruce Maginnis (APRA)
    Atmospheric, moody & sparse piano with cello
    3:31
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  10. Play
    White Cliffs 1984/3 22 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Panoramic orchestra with courageous brass theme & patriotic features
    2:30
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