Track Details

Evolving Dawn 6 - 18 mixes

  1. Play
    Evolving Dawn 2199/1 Paul Mottram (PRS)
    Minimal, uplifting orchestral. Luscious strings & gently oscillating harp
    4:24
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19901
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  2. Play
    Evolving Dawn 2 2199/11 Paul Mottram (PRS)
    Tense to uplifting with rich strings and gentle harp. First half, builds once
    2:13
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19911
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  3. Play
    Evolving Dawn 3 2199/12 Paul Mottram (PRS)
    Luxurious strings build from sparse to full
    2:13
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19912
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  4. Play
    Evolving Dawn 4 2199/13 Paul Mottram (PRS)
    Delicate harp, marimba & piano slowly builds with layers. No strings
    2:11
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19913
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  5. Play
    Evolving Dawn 5 2199/14 Paul Mottram (PRS)
    Growing luscious strings with harp. Shorter version with small build
    1:39
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19914
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  6. Play
    Evolving Dawn 6 2199/15 Paul Mottram (PRS)
    Growing luscious strings. Shorter version with small build
    1:39
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19915
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  7. Play
    Evolving Dawn 7 (60) 2199/16 Paul Mottram (PRS)
    Tense to uplifting with rich, luscious strings and gentle oscillating harp
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19916
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  8. Play
    Evolving Dawn 8 (60) 2199/17 Paul Mottram (PRS)
    Growing luscious strings with gentle harp. Small build
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19917
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  9. Play
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19918
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  10. Play
    Evolving Dawn 10 2199/19 Paul Mottram (PRS)
    Growing luscious strings with gentle harp. Very small build
    0:43
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19919
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  11. Play
    Evolving Dawn 11 2199/20 Paul Mottram (PRS)
    Growing luscious strings. Very small build
    0:43
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19920
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  12. Play
    Evolving Dawn 12 (30) 2199/21 Paul Mottram (PRS)
    Tense to uplifting with rich, luscious strings and gentle oscillating harp
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19921
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  13. Play
    Evolving Dawn 13 (30) 2199/22 Paul Mottram (PRS)
    Growing luscious strings with gentle harp. Small build
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19922
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  14. Play
    Evolving Dawn 14 (Bumper) 2199/23 Paul Mottram (PRS)
    Luscious strings & harp bumper
    0:17
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19923
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  15. Play
    Evolving Dawn 15 (Sting) 2199/24 Paul Mottram (PRS)
    Beautiful strings & harp sustained sting
    0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19924
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  16. Play
    Evolving Dawn 16 (Sting) 2199/25 Paul Mottram (PRS)
    Beautiful sustained strings sting
    0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19925
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  17. Play
    0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19926
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  18. 0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-19927
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidWhy are harps like elderly parents? Because both are unforgiving and hard to get out of cars.
  1. Play
    Across The Plains 2 2730/100 11 mixes Ben Parry (PRS) | Benedict Madden (PRS)
    Sweeping, majestic & nostalgic string orchestra with harp & piano
    2:42
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  2. Play
    Chill 1928/3 5 mixes Terry Devine-King (PRS)
    A gentle, thoughtful harp & piano
    2:33
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  3. Play
    Crowned 2514/8 17 mixes James Banbury (PRS) | Pete Davis (PRS)
    Tense double bass builds to rich strings & harp with moving finale
    3:33
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  4. Play
    Dreaming of Tomorrow 2732/4 16 mixes Paul Mottram (PRS)
    Calm dreamy rippling piano over bed of rich strings & harp harmonics
    2:41
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  5. Play
    Earthspan 1877/2 24 mixes Paul Mottram (PRS)
    Breezy orchestra with panoramic melodies, percussion & lyrical choir
    3:12
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  6. Play
    Healing 1701/1 8 mixes Paul Mottram (PRS)
    Wistful, emotive, warmly lyrical strings & harp
    2:44
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  7. Play
    Magical Awakening 2918/4 13 mixes Paul Mottram (PRS)
    Warm, mystical atmospheric & gently evolving orchestra
    3:08
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  8. Play
    Noble Spirit 2466/3 20 mixes Oliver Ledbury (PRS)
    Flowing & reflective orchestral theme
    2:38
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  9. Play
    Patiently 1701/8 7 mixes Paul Mottram (PRS)
    Slow moving strings with ambient rippling harp. Slow build
    3:12
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  10. Play
    Spiritual Home 2429/6 16 mixes Chris Egan (PRS) | Trystan Francis (PRS)
    Neutral, but filmic underscore featuring orchestra & piano
    2:16
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  11. Play
    Stasis 1244/13 6 mixes Paul Mottram (PRS)
    Slowly evolving atmospheric strings over repeated harp harmonics
    2:40
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  12. Play
    Sunset 2918/6 9 mixes Paul Mottram (PRS)
    Restful warm panoramic & serene orchestra
    2:45
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  13. Play
    The Sky Is An Empty Mirror 3017/6 12 mixes Tim Garland (PRS)
    Reflective strings & double bass lead to virtuosic 'birdsong' violin duet
    3:03
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