Track Details

Down To Hades 5 (60) 8 mixes

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Down To Hades 2413/7 Jody Jenkins (PRS)
Dark, brooding orchestra with uneasy piano & ominous swirls & swells
2:16
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  • Tempo NotesSlow
  • ISRCGB-FFM-15-41307
  • PublisherAudio Network Limited
  • Release Year2015
FactoidThe harp features a technique called 'Pres De La Table', which is played near the sounding board, so the timbre takes on a lute-like quality.
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Down To Hades 2 2413/50 Jody Jenkins (PRS)
Dark, brooding orchestral strings with uneasy piano, harp & dark effects
2:14
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  • Tempo NotesSlow
  • ISRCGB-FFM-15-41350
  • PublisherAudio Network Limited
  • Release Year2015
FactoidThe harp features a technique called 'Pres De La Table', which is played near the sounding board, so the timbre takes on a lute-like quality.
Play
Down To Hades 3 2413/51 Jody Jenkins (PRS)
Uneasy piano with harp mysterioso & eerie effects
1:05
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  • Tempo NotesSlow
  • ISRCGB-FFM-15-41351
  • PublisherAudio Network Limited
  • Release Year2015
FactoidThe harp features a technique called 'Pres De La Table', which is played near the sounding board, so the timbre takes on a lute-like quality.
Play
Down To Hades 4 (60) 2413/52 Jody Jenkins (PRS)
Dark, brooding orchestra with uneasy piano & ominous swirls & swells
1:00
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  • Tempo NotesSlow
  • ISRCGB-FFM-15-41352
  • PublisherAudio Network Limited
  • Release Year2015
FactoidThe harp features a technique called 'Pres De La Table', which is played near the sounding board, so the timbre takes on a lute-like quality.
Play
Down To Hades 5 (60) 2413/53 Jody Jenkins (PRS)
Dark, brooding orchestral strings with uneasy piano, harp & dark effects
1:00
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  • Tempo NotesSlow
  • ISRCGB-FFM-15-41353
  • PublisherAudio Network Limited
  • Release Year2015
FactoidThe harp features a technique called 'Pres De La Table', which is played near the sounding board, so the timbre takes on a lute-like quality.
Play
Down To Hades 6 (30) 2413/54 Jody Jenkins (PRS)
Dark, brooding orchestra with uneasy piano & ominous swirls & swells
0:30
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  • Tempo NotesSlow
  • ISRCGB-FFM-15-41354
  • PublisherAudio Network Limited
  • Release Year2015
FactoidThe harp features a technique called 'Pres De La Table', which is played near the sounding board, so the timbre takes on a lute-like quality.
Play
0:12
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  • Tempo NotesSlow
  • ISRCGB-FFM-15-41355
  • PublisherAudio Network Limited
  • Release Year2015
FactoidThe harp features a technique called 'Pres De La Table', which is played near the sounding board, so the timbre takes on a lute-like quality.
Play
Down To Hades 8 (Sting) 2413/56 Jody Jenkins (PRS)
Dark piano chord & timpani roll sting
0:10
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  • Tempo NotesSlow
  • ISRCGB-FFM-15-41356
  • PublisherAudio Network Limited
  • Release Year2015
FactoidThe harp features a technique called 'Pres De La Table', which is played near the sounding board, so the timbre takes on a lute-like quality.
Play
Approach The Darkness 2820/2 11 mixes Tim Garland (PRS)
Hypnotic, staccato woodwind with eerie strings & ominous melody
2:26
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Black Widow 1501/8 1 mixes Debbie Wiseman (PRS)
Dark, devious strings with piano bass line
1:05
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Caught In The Web 2259/1 7 mixes Ceiri Torjussen (BMI)
Brooding orchestral lyricism with a fantastical gothic feel
3:07
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Growing Spider 2259/5 5 mixes Ceiri Torjussen (BMI)
Legato, dark & brooding strings. Tense, unsettling harmonies. End swell
2:29
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Ominosity 2413/6 8 mixes Jody Jenkins (PRS)
Dark, foreboding orchestral bed builds menacingly to tense climax
2:19
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Pulsing Behemoths 2413/1 8 mixes Jody Jenkins (PRS)
Violent build with massive low orchestral line-up & an army of taiko drums
2:36
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Thirteen Locked Doors 2863/4 5 mixes Jody Jenkins (PRS)
Slow, ancient drone with eerie, discordant flutes into emotive strings
3:05
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Titans 2413/2 6 mixes Jody Jenkins (PRS)
Noble brass & cello theme builds with orchestra to stirring finale
2:17
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