Track Details

Distant Murmurs 5 (30) - 6 mixes

  1. Play
    Distant Murmurs 1300/5 Paul Mottram (PRS)
    Atmospheric, mysterious undulating piano with sustained strings
    3:24
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    • Tempo NotesMedium : 6/8 with the odd 5/8 thrown in!
    • ISRCGB-FFM-08-30005
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra at Abbey Road Studios, London. 2008. Mixed at Phoenix Studios, Pinewood.
  2. Play
    Distant Murmurs 2 1300/31 Paul Mottram (PRS)
    Atmospheric, mysterious undulating piano
    3:23
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    • Tempo NotesMedium
    • ISRCGB-FFM-08-30031
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra at Abbey Road Studios, London. 2008. Mixed at Phoenix Studios, Pinewood.
  3. Play
    Distant Murmurs 3 1300/32 Paul Mottram (PRS)
    Atmospheric, sustained strings
    3:24
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    • Tempo NotesMedium
    • ISRCGB-FFM-08-30032
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra at Abbey Road Studios, London. 2008. Mixed at Phoenix Studios, Pinewood.
  4. Play
    Distant Murmurs 4 (60) 1300/33 Paul Mottram (PRS)
    Atmospheric, mysterious undulating piano with sustained strings
    1:01
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    • Tempo NotesMedium
    • ISRCGB-FFM-08-30033
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra at Abbey Road Studios, London. 2008. Mixed at Phoenix Studios, Pinewood.
  5. Play
    Distant Murmurs 5 (30) 1300/34 Paul Mottram (PRS)
    Atmospheric, mysterious undulating piano with sustained strings
    0:32
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    • Tempo NotesMedium
    • ISRCGB-FFM-08-30034
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra at Abbey Road Studios, London. 2008. Mixed at Phoenix Studios, Pinewood.
  6. Play
    Distant Murmurs 6 (Sting) 1300/35 Paul Mottram (PRS)
    Atmospheric strings & piano sting
    0:11
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    • Tempo NotesMedium
    • ISRCGB-FFM-08-30035
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra at Abbey Road Studios, London. 2008. Mixed at Phoenix Studios, Pinewood.
  1. Play
    Abdication 1995/4 12 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Slow, mysterious strings with thoughtful piano & ambient textures
    2:11
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  2. Play
    Across The Border 1520/11 1 mixes Debbie Wiseman (PRS)
    Narrative, thoughtful orchestral theme
    1:37
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  3. Play
    All in Vain 2732/8 17 mixes Paul Mottram (PRS)
    Reflective piano melody with atmospheric strings & harp. Prevailing hope
    2:26
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  4. Play
    Alternate Reality 2862/1 13 mixes Michael Levine (ASCAP)
    Dark strings with mysterious atmospheric piano & eerie sound design
    3:16
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  5. Play
    Apart 2199/2 16 mixes Paul Mottram (PRS)
    Sad atmospheric piano & strings with tense pulsing harp
    2:34
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  6. Play
    Aqua Mundi 2602/5 15 mixes Saint-Saens Arr. Julian Gallant (PRS) | Jeff Meegan (BMI) | David Tobin (PRS/BMI) | Rob Kelly (PRS)
    Watery piano arpeggios & string orchestra. Aka Aquarium (1886)
    1:59
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  7. Play
    Behind The Truth 3 1787/15 9 mixes Terry Devine-King (PRS)
    Slow paced mysterious strings with vibraphone
    1:54
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  8. Play
    Blows Like The Wind 1012/11 5 mixes Terry Devine-King (PRS)
    Mysterious, calm, atmospheric piano, strings & harp
    2:02
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  9. Play
    Chiano 1609/4 4 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
    Reflective piano & cello theme with emotional string build
    2:32
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  10. Play
    Chillwave 1549/5 16 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Blissed out piano with gentle orchestral swell & light percussion
    2:55
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  11. Play
    City Echoes 1432/2 2 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Thoughtful, quirky piano over evolving, arpeggiated textures
    3:12
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  12. Play
    Constant Vigil 2700/8 23 mixes Paul Mottram (PRS)
    Sombre textural piano & pulsing strings build to uplifting conclusion
    3:06
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  13. Play
    Creating The Medium 2789/4 10 mixes John Ashton Thomas (PRS)
    Dark, brooding piano, strings, vibes & harp ebb & flow throughout
    2:37
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  14. Play
    Crossbow 2646/3 13 mixes Matt Nasir (PRS)
    Melancholy piano with bass, strings & brushes groove
    3:01
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  15. Play
    Deserted Land 1309/3 5 mixes Paul Mottram (PRS)
    Mysterious, desolate violins with piano interjections - gradually builds
    3:51
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  16. Play
    Empty House 2102/10 9 mixes Christopher Slaski (PRS)
    Haunting atmospheric piano with bowed vibraphone, string harmonics & cello
    2:33
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  17. Play
    Entering A New World 1715/5 7 mixes Luke Richards (PRS)
    Moving, cinematic orchestral epic with choir. Electronic beats from 1'41
    3:22
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  18. Play
    Esq 2646/1 13 mixes Matt Nasir (PRS)
    Minimalist piano & strings. Energy builds with tuned percussion & kit
    3:57
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  19. Play
    Evidence Trail 1739/6 7 mixes Philip Guyler (PRS)
    Mysterious, atmospheric piano & synth textures with percussion
    2:48
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  20. Play
    Fading Light 1685/6 12 mixes Lincoln Grounds (PRS) | Jason Pedder (PRS) | Barrie Gledden (PRS) | Ben Ziapour (PRS)
    Intensely sad piano with fretless bass, string ensemble & effects
    3:12
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  21. Play
    Hand of Fate 1299/14 1 mixes Debbie Wiseman (PRS)
    Dark piano building into glowering orchestral theme
    1:20
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  22. Play
    Hand On Heart 2258/2 19 mixes David Kelly (PRS)
    Thoughtful piano arpeggios with emotional strings building to big drums
    3:29
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  23. Play
    In Memory 1609/3 14 mixes Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Reflective, flowing piano & warm string section
    2:40
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  24. Play
    Last Man on Earth 1685/7 1 mixes Luke Richards (PRS)
    Solemn strings & piano. Lonely, sad & reflective with just a hint of hope!
    3:35
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  25. Play
    Last Quest 1569/3 6 mixes Simon Lambros (PRS)
    Insistent strings & piano theme with thoughtful yet purposeful feel
    1:22
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  26. Play
    Letters From The Past 2428/5 19 mixes Chris Egan (PRS) | Trystan Francis (PRS)
    Intimate, gentle piano with muted string orchestra & electronics
    2:27
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  27. Play
    Little Meteor 1607/3 7 mixes Helen Jane Long (PRS)
    Gently undulating strings, pads & harmonics. Hypnotic & atmospheric
    2:27
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  28. Play
    Lost And Found 1715/6 6 mixes Luke Richards (PRS)
    Lush, sorrowful strings with delicate, reflective piano
    3:24
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  29. Play
    Mafiosi 1054/12 1 mixes Terry Devine-King (PRS)
    Threatening, dark pads and violins
    2:04
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  30. Play
    Making Plans 2553/6 15 mixes Gerrit Wunder (AKM)
    Thoughtful, melancholy piano & orchestral strings with electronic percussion
    3:10
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  31. Play
    New Assignment 1083/9 5 mixes Terry Devine-King (PRS)
    Eerie synth strings with light percussion and swell effects
    1:44
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  32. Play
    Night Watch B 1546/10 5 mixes Paul Mottram (PRS)
    Restless violin & cello over pulsing piano. Faster version of Night Watch A
    1:50
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  33. Play
    Nightfall 1500/14 8 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
    Piano & strings theme with menacing pulsing bass
    4:04
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  34. Play
    On Reflection 1083/17 2 mixes Terry Devine-King (PRS)
    Thoughtful strings with uneasy moments
    1:14
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  35. Play
    One Last Time 2732/6 14 mixes Paul Mottram (PRS)
    Sombre emotive strings build with constant pulsing piano chords
    2:36
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  36. Play
    Prairie Storm 1639/9 1 mixes Robert Bruce (SOCAN)
    Unsettling blues impressionistic piano with creepy string quartet & percussion
    1:40
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  37. Play
    Prisms 1202/2 4 mixes Paul Mottram (PRS)
    Repetitive rhythm section with slow, gentle string orchestra & piano
    3:43
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  38. Play
    Quiet Lament 1501/11 3 mixes Luke Richards (PRS)
    Emotional piano accompanied by a subtle orchestra
    4:06
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  39. Play
    Quill And Candle 2955/4 10 mixes Jody Jenkins (PRS)
    Gentle ambient piano patterns with sorrowful evolving melody & strings
    3:28
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  40. Play
    Resignation 1701/3 10 mixes Paul Mottram (PRS)
    Contemplative strings & piano. Slightly melancholy yet still positive
    3:24
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  41. Play
    Return Journey 1569/5 3 mixes Simon Lambros (PRS)
    Emotional piano with sweeping melancholy strings
    1:46
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  42. Play
    Sahara 1607/7 12 mixes Helen Jane Long (PRS)
    Desolate soundscape with sombre piano, sustained strings & low drone
    1:57
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  43. Play
    Some Hope 2761/5 8 mixes Glen Gabriel Jansson (ASCAP)
    Sparse, uneasy piano above an ambient drone evolves with hopeful strings
    3:13
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  44. Play
    Spy At Night 2000/2 7 mixes Philip Sheppard (PRS)
    A vertiginous lullaby for strings, piano & percussion
    3:29
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  45. Play
    The Challenge Ahead 1489/5 7 mixes Gareth Johnson (PRS) | Justin Johnson (PRS)
    Driving indie rock with ethereal piano & pads. Uplifting guitar riffs
    3:03
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  46. Play
    The Finding 1672/3 6 mixes Philip Guyler (PRS)
    Dark & mysterious with haunting piano, string pads, harp & FX
    2:56
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  47. Play
    The Human Cost Of War 1715/8 5 mixes Luke Richards (PRS)
    Expansive, melancholy strings with oboe & piano. Poignant & reflective
    3:24
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  48. Play
    Theme For Villain 2707/8 13 mixes Joe Kraemer (BMI)
    Dark, elegant & romantic sweeping orchestral theme with an air of mystery
    3:24
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  49. Play
    Thoughtful 1338/10 1 mixes Bob Bradley (PRS)
    Emotional & contemplative synthetic atmosphere
    2:13
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  50. Play
    Three Reasons 1380/3 13 mixes Tom Quick (PRS)
    Slow reflective piano with soft rhythm section & ambient pads
    4:44
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  51. Play
    Upland Trail 1520/26 1 mixes Debbie Wiseman (PRS)
    Slow, reflective orchestra with a slightly mysterious edge
    1:57
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  52. Play
    Vistas Unknown 1569/9 2 mixes Simon Lambros (PRS)
    Eerie, minimalist piano with strings & pads. Light dread if that's possible
    2:05
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  53. Play
    Wanderlust 1569/10 2 mixes Simon Lambros (PRS)
    Worrying piano & bothersome strings with a feeling of movement
    1:14
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  54. Play
    Weeping Willow 1557/16 3 mixes Debbie Wiseman (PRS)
    Sad, slow moving orchestra - the calm after the storm
    1:46
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  55. Play
    Winter Coming 1820/7 13 mixes Tom Peters (PRS) | Terry Devine-King (PRS)
    Chilling orchestral soundscape with building intensity
    2:36
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