Track Details

Deus Ex Machina 9 mixes

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Deus Ex Machina 1875/3 Darren Leigh Purkiss (PRS) | Stephen Baysted (PRS)
Epic choir & orchestra fx with menacing bass & massive beats. Dark, filmic
2:19
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  • Tempo NotesSlow
  • ISRCGB-FFM-13-87503
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
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Deus Ex Machina 2 1875/27 Darren Leigh Purkiss (PRS) | Stephen Baysted (PRS)
Epic, dark, filmic choir & orchestra fx. No bass & less beats
2:17
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  • Tempo NotesSlow
  • ISRCGB-FFM-13-87527
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
Play
Deus Ex Machina 3 1875/28 Darren Leigh Purkiss (PRS) | Stephen Baysted (PRS)
Massive beats with menacing bass & cinematic swells. Slowly builds
2:01
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  • Tempo NotesSlow
  • ISRCGB-FFM-13-87528
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
Play
Deus Ex Machina 4 (60) 1875/29 Darren Leigh Purkiss (PRS) | Stephen Baysted (PRS)
Epic choir & orchestra fx with menacing bass & massive beats. Dark, filmic
1:00
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  • Tempo NotesSlow
  • ISRCGB-FFM-13-87529
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
Play
Deus Ex Machina 5 (30) 1875/30 Darren Leigh Purkiss (PRS) | Stephen Baysted (PRS)
Epic choir & orchestra fx with menacing bass & massive beats. Dark, filmic
0:30
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  • Tempo NotesSlow
  • ISRCGB-FFM-13-87530
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
0:07
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  • Tempo NotesSlow
  • ISRCGB-FFM-13-87531
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
0:07
Add to favourites Add to cart
  • Tempo NotesSlow
  • ISRCGB-FFM-13-87532
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
0:07
Add to favourites Add to cart
  • Tempo NotesSlow
  • ISRCGB-FFM-13-87533
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
0:07
Add to favourites Add to cart
  • Tempo NotesSlow
  • ISRCGB-FFM-13-87534
  • PublisherAudio Network Limited
  • Release Year2013
FactoidDeus ex Machina is Latin for 'God from the Machine" which is a plot device whereby an insoluble problem is abruptly solved by use of an unexpected intervention of some new event, character or object. Depending on usage, it can be used to move the story forward when the writer has "painted himself into a corner".
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Abandoned Chapel 2863/2 5 mixes Jody Jenkins (PRS)
Spooky choir & dramatic strings create a terrifyingly empty mood-scape
3:29
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Action District 1744/3 14 mixes Bob Bradley (PRS) | Matt Sanchez (PRS) | Laura-Jayne Hunter (PRS)
Tense & cinematic with dynamic rhythms, edgy synths & ethereal vocals
3:09
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Celestial 1907/7 8 mixes Bob Bradley (PRS) | Terry Devine-King (PRS)
Moody orchestra & guitar into rousing theme with choir & filthy bass
3:58
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City Of Souls 2039/5 9 mixes Darren Leigh Purkiss (PRS) | Terry Devine-King (PRS)
Majestic orchestra & choir collide with epic bass, drums & fx
2:44
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Dark Spire 2246/2 17 mixes Darren Leigh Purkiss (PRS) | Stephen Baysted (PRS)
Haunting operatic soprano into dark, heavy beats & orchestra & Gothic choir
2:21
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Intergalactic 1907/1 8 mixes Bob Bradley (PRS) | Terry Devine-King (PRS)
Dramatic fusion of imposing cinematic orchestra & pounding dubstep
3:04
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Masked Killer 2068/3 10 mixes Terry Devine-King (PRS)
Epic building orchestral tension with choir & electronica
2:46
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Mission 1636/6 10 mixes Bob Bradley (PRS) | Matt Sanchez (PRS)
Menacing electronica with tense rhythms & ambient swells. Dark, filmic
3:09
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Planets 1907/5 10 mixes Bob Bradley (PRS) | Terry Devine-King (PRS)
Epic fusion of orchestra & dubstep with choir, piano & female vocal hook
3:25
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Planets 2 1907/48 10 mixes Bob Bradley (PRS) | Terry Devine-King (PRS)
Epic fusion of orchestra & dubstep with piano & huge choir. No vocal hook
3:25
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Turbo Pause 1760/2 12 mixes Paul Ressel (PRS)
Darkly foreboding with evil deep bass, driving percussion & eerie choir textures
3:24
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Under Attack 1765/3 12 mixes Bob Bradley (PRS) | Matt Sanchez (PRS) | Laura-Jayne Hunter (PRS)
Suspenseful thriller with ethereal vocal, edgy synths & epic cinematic builds
3:12
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