Track Details

Deserted Land 4 (30) - 5 mixes

  1. Play
    Deserted Land 1309/3 Paul Mottram (PRS)
    Mysterious, desolate violins with piano interjections - gradually builds
    3:51
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-30903
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
  2. Play
    Deserted Land 2 1309/21 Paul Mottram (PRS)
    Mysterious, desolate oscillating violins - no piano
    3:51
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-30921
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
  3. Play
    Deserted Land 3 (60) 1309/22 Paul Mottram (PRS)
    Mysterious, desolate violins with piano interjections - gradually builds
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-30922
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
  4. Play
    Deserted Land 4 (30) 1309/23 Paul Mottram (PRS)
    Mysterious, desolate violins with piano interjections - gradually builds
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-30923
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
  5. Play
    Deserted Land 5 (Sting) 1309/24 Paul Mottram (PRS)
    Mysterious, desolate violins with piano interjections - gradually builds
    0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-30924
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
  1. Play
    Afterlife 1972/5 7 mixes Terry Devine-King (PRS)
    Sparse, reflective piano with sweeping, melancholy strings
    1:57
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  2. Play
    And The Mountain 2538/1 15 mixes Michael Levine (ASCAP)
    Nostalgic minimalist piano figures with propulsive strings. Dramatic ending
    2:43
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  3. Play
    Aurora Borealis 2062/6 14 mixes Terry Devine-King (PRS)
    Ambient layers build to orchestral textures with haunting cor anglais
    2:38
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  4. Play
    Blue Mist 1556/5 3 mixes Debbie Wiseman (PRS)
    Eerie strings with vibraphone melody & wind effects. Cause for concern
    1:47
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  5. Play
    Chillwave 1549/5 16 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Blissed out piano with gentle orchestral swell & light percussion
    2:55
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  6. Play
    Dark Tales 1556/9 5 mixes Debbie Wiseman (PRS)
    Slow moving dark orchestra with ominous, dripping piano
    1:51
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  7. Play
    Desperation 2553/8 16 mixes Gerrit Wunder (AKM)
    Dark oscillating strings with synths, eerie fx & tense orchestral climax
    2:05
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  8. Play
    Distant Murmurs 1300/5 6 mixes Paul Mottram (PRS)
    Atmospheric, mysterious undulating piano with sustained strings
    3:24
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  9. Play
    Empire's Dawn 1216/7 5 mixes Terry Devine-King (PRS)
    Brooding orchestral opening into broad, panoramic build
    2:18
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  10. Play
    Empty Horizon 2453/6 6 mixes Paul Mottram (PRS)
    Sparse desolate slow moving violins with harp harmonics from 0:46
    1:38
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  11. Play
    Forbidden Forest 1299/5 1 mixes Debbie Wiseman (PRS)
    Dark, sinister & creepy orchestra with spooky & haunting effects
    1:36
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  12. Play
    Frozen Teardrop 1534/6 10 mixes Tom Quick (PRS)
    Enigmatic, eerie & spooky gamelan with choir effects & distant rumbles at 1'36''
    2:43
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  13. Play
    Gathering Clouds 1894/5 6 mixes Tim Garland (PRS) | Geoffrey Keezer (BMI)
    Ominous, broad & serious string orchestra with timpani. Tension builds
    3:46
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  14. Play
    Hand of Fate 1299/14 1 mixes Debbie Wiseman (PRS)
    Dark piano building into glowering orchestral theme
    1:20
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  15. Play
    Last Man on Earth 1685/7 1 mixes Luke Richards (PRS)
    Solemn strings & piano. Lonely, sad & reflective with just a hint of hope!
    3:35
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  16. Play
    Little Meteor 1607/3 7 mixes Helen Jane Long (PRS)
    Gently undulating strings, pads & harmonics. Hypnotic & atmospheric
    2:27
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  17. Play
    Lonely Road 1450/2 9 mixes Paul Mottram (PRS)
    Intimate minimal strings & reflective piano
    2:39
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  18. Play
    Lost Cause 1883/3 3 mixes Terry Devine-King (PRS)
    Desolate piano theme with strings
    2:20
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  19. Play
    New Horizons 1300/6 11 mixes Paul Mottram (PRS)
    High sustained strings with pulsing vibraphone
    3:09
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  20. Play
    Night Watch B 1546/10 5 mixes Paul Mottram (PRS)
    Restless violin & cello over pulsing piano. Faster version of Night Watch A
    1:50
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  21. Play
    On Reflection 1083/17 2 mixes Terry Devine-King (PRS)
    Thoughtful strings with uneasy moments
    1:14
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  22. Play
    Prima Luce 1557/12 5 mixes Debbie Wiseman (PRS)
    Eerie, atmospheric version of Hoc Est Bellum. With low vibraphone & strings
    2:00
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  23. Play
    Quiet Lament 1501/11 3 mixes Luke Richards (PRS)
    Emotional piano accompanied by a subtle orchestra
    4:06
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  24. Play
    Return Journey 1569/5 3 mixes Simon Lambros (PRS)
    Emotional piano with sweeping melancholy strings
    1:46
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  25. Play
    Rue Des Reves 2538/5 11 mixes Michael Levine (ASCAP)
    Tense, minimal floating piano & strings with ebb & flow & varied textures
    2:28
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  26. Play
    Sahara 1607/7 12 mixes Helen Jane Long (PRS)
    Desolate soundscape with sombre piano, sustained strings & low drone
    1:57
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  27. Play
    Stasis 1244/13 6 mixes Paul Mottram (PRS)
    Slowly evolving atmospheric strings over repeated harp harmonics
    2:40
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  28. Play
    The Assassin 1552/9 6 mixes Christopher Ashmore (PRS)
    Intense cello melody over dark, cold pads. Alto flute enters half-way through
    2:54
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  29. Play
    Wilderness 1685/9 8 mixes Philip Guyler (PRS)
    Emotional, cinematic piano building with strings, percussion & fx
    3:32
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