Track Details

Deserted Land 4 (30) 5 mixes

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Deserted Land 1309/3 Paul Mottram (PRS)
Mysterious, desolate violins with piano interjections - gradually builds
3:51
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  • Tempo NotesSlow
  • ISRCGB-FFM-08-30903
  • PublisherAudio Network Limited
  • Release Year2008
FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
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Deserted Land 2 1309/21 Paul Mottram (PRS)
Mysterious, desolate oscillating violins - no piano
3:51
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  • Tempo NotesSlow
  • ISRCGB-FFM-08-30921
  • PublisherAudio Network Limited
  • Release Year2008
FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
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Deserted Land 3 (60) 1309/22 Paul Mottram (PRS)
Mysterious, desolate violins with piano interjections - gradually builds
1:00
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  • Tempo NotesSlow
  • ISRCGB-FFM-08-30922
  • PublisherAudio Network Limited
  • Release Year2008
FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
Play
Deserted Land 4 (30) 1309/23 Paul Mottram (PRS)
Mysterious, desolate violins with piano interjections - gradually builds
0:30
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  • Tempo NotesSlow
  • ISRCGB-FFM-08-30923
  • PublisherAudio Network Limited
  • Release Year2008
FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
Play
Deserted Land 5 (Sting) 1309/24 Paul Mottram (PRS)
Mysterious, desolate violins with piano interjections - gradually builds
0:10
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  • Tempo NotesSlow
  • ISRCGB-FFM-08-30924
  • PublisherAudio Network Limited
  • Release Year2008
FactoidFrank 'Kin' Hubbard said "Classical music is the kind we keep thinking will turn into a tune."
Play
Afterlife 1972/5 7 mixes Terry Devine-King (PRS)
Sparse, reflective piano with sweeping, melancholy strings
1:57
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And The Mountain 2538/1 15 mixes Michael Levine (ASCAP)
Nostalgic minimalist piano figures with propulsive strings. Dramatic ending
2:43
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Aurora Borealis 2062/6 14 mixes Terry Devine-King (PRS)
Ambient layers build to orchestral textures with haunting cor anglais
2:38
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Blue Mist 1556/5 3 mixes Debbie Wiseman (PRS)
Eerie strings with vibraphone melody & wind effects. Cause for concern
1:47
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Chillwave 1549/5 16 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
Blissed out piano with gentle orchestral swell & light percussion
2:55
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Dark Tales 1556/9 5 mixes Debbie Wiseman (PRS)
Slow moving dark orchestra with ominous, dripping piano
1:51
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Desperation 2553/8 16 mixes Gerrit Wunder (AKM)
Dark oscillating strings with synths, eerie fx & tense orchestral climax
2:05
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Distant Murmurs 1300/5 6 mixes Paul Mottram (PRS)
Atmospheric, mysterious undulating piano with sustained strings
3:24
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Empire's Dawn 1216/7 5 mixes Terry Devine-King (PRS)
Brooding orchestral opening into broad, panoramic build
2:18
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Empty Horizon 2453/6 6 mixes Paul Mottram (PRS)
Sparse desolate slow moving violins with harp harmonics from 0:46
1:38
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Forbidden Forest 1299/5 1 mixes Debbie Wiseman (PRS)
Dark, sinister & creepy orchestra with spooky & haunting effects
1:36
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Frozen Teardrop 1534/6 10 mixes Tom Quick (PRS)
Enigmatic, eerie & spooky gamelan with choir effects & distant rumbles at 1'36''
2:43
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Gathering Clouds 1894/5 6 mixes Tim Garland (PRS) | Geoffrey Keezer (BMI)
Ominous, broad & serious string orchestra with timpani. Tension builds
3:46
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Hand of Fate 1299/14 1 mixes Debbie Wiseman (PRS)
Dark piano building into glowering orchestral theme
1:20
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Last Man on Earth 1685/7 1 mixes Luke Richards (PRS)
Solemn strings & piano. Lonely, sad & reflective with just a hint of hope!
3:35
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Little Meteor 1607/3 7 mixes Helen Jane Long (PRS)
Gently undulating strings, pads & harmonics. Hypnotic & atmospheric
2:27
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Lonely Road 1450/2 9 mixes Paul Mottram (PRS)
Intimate minimal strings & reflective piano
2:39
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Lost Cause 1883/3 3 mixes Terry Devine-King (PRS)
Desolate piano theme with strings
2:20
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New Horizons 1300/6 11 mixes Paul Mottram (PRS)
High sustained strings with pulsing vibraphone
3:09
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Night Watch B 1546/10 5 mixes Paul Mottram (PRS)
Restless violin & cello over pulsing piano. Faster version of Night Watch A
1:50
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On Reflection 1083/17 2 mixes Terry Devine-King (PRS)
Thoughtful strings with uneasy moments
1:14
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Prima Luce 1557/12 5 mixes Debbie Wiseman (PRS)
Eerie, atmospheric version of Hoc Est Bellum. With low vibraphone & strings
2:00
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Quiet Lament 1501/11 3 mixes Luke Richards (PRS)
Emotional piano accompanied by a subtle orchestra
4:06
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Return Journey 1569/5 3 mixes Simon Lambros (PRS)
Emotional piano with sweeping melancholy strings
1:46
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Rue Des Reves 2538/5 11 mixes Michael Levine (ASCAP)
Tense, minimal floating piano & strings with ebb & flow & varied textures
2:28
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Sahara 1607/7 12 mixes Helen Jane Long (PRS)
Desolate soundscape with sombre piano, sustained strings & low drone
1:57
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Stasis 1244/13 6 mixes Paul Mottram (PRS)
Slowly evolving atmospheric strings over repeated harp harmonics
2:40
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The Assassin 1552/9 6 mixes Christopher Ashmore (PRS)
Intense cello melody over dark, cold pads. Alto flute enters half-way through
2:54
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The Sky Is An Empty Mirror 3017/6 12 mixes Tim Garland (PRS)
Reflective strings & double bass lead to virtuosic 'birdsong' violin duet
3:03
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Wilderness 1685/9 8 mixes Philip Guyler (PRS)
Emotional, cinematic piano building with strings, percussion & fx
3:32
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