Track Details

Definition 7 - 24 mixes

  1. Play
    Definition 2515/6 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Sound design & female vocals build into epic strings & driving beat
    2:09
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51506
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  2. Play
    Definition 2 2515/119 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Sound design & female vocals build into epic strings & driving beat. Alt mix
    2:08
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51519
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  3. Play
    Definition 3 2515/120 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Sound design builds into epic strings & driving beat at 1:24. No vocals
    2:04
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51520
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  4. Play
    Definition 4 2515/121 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Sound design builds into epic strings & driving beat at 1:24. No vocals. Alt mix
    2:04
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51521
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  5. Play
    Definition 5 2515/122 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Female vocals build into epic strings & driving beat. No intro
    1:41
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51522
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  6. Play
    Definition 6 2515/123 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    A capella female vocals mix. No strings, beats or sound design
    1:44
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51523
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  7. Play
    Definition 7 2515/124 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Female vocals build into epic strings with bass. No sound design fx
    1:40
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51524
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  8. Play
    Definition 8 2515/125 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Sparse bass builds to epic sound design & beats. No strings or vocals
    1:43
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51525
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  9. Play
    Definition 9 (60) 2515/126 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Female vocal builds over pulsing bass into epic strings & driving beat
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51526
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  10. Play
    Definition 10 (60) 2515/127 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Pulsing bass builds into epic strings & driving beat. No vocals
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51527
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  11. Play
    Definition 11 2515/128 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Sparse bass builds to epic sound design & beats. No strings or vocals
    0:57
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51528
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  12. Play
    Definition 12 2515/129 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Stirring legato strings passage into intense string ostinato with brass
    0:57
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51529
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  13. Play
    Definition 13 2515/130 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Pulsing bass builds with stirring strings & brass. No percussion or vocals
    0:57
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51530
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  14. Play
    Definition 14 2515/131 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Stirring legato strings into intense ostinato with brass & percussion
    0:57
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51531
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  15. Play
    Definition 15 2515/132 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    A capella female vocals mix. No strings, beats or sound design
    0:55
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51532
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  16. Play
    Definition 16 (30) 2515/133 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Female vocal over pulsing bass, epic strings & driving beat
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51533
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  17. Play
    Definition 17 (30) 2515/134 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Epic strings over pulsing bass & driving beat. No vocals
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51534
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  18. Play
    Definition 18 (30) 2515/135 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    A capella female vocals mix. No strings, beats or sound design
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51535
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  19. Play
    Definition 19 (30) 2515/136 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Female vocals over epic strings with bass. No sound design or beats
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51536
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  20. Play
    Definition 20 (30) 2515/137 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Sparse bass builds to epic sound design & beats. No strings or vocals
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51537
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  21. Play
    Definition 21 2515/138 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Stirring legato strings passage into intense string ostinato with brass
    0:26
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51538
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  22. Play
    Definition 22 2515/139 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Stirring legato strings into intense ostinato with brass & percussion
    0:27
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-51539
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  23. Play
    Definition 23 (Sting) 2515/140 Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Intense strings, brass & ending with female vocal sting
    0:18
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51540
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  24. 0:13
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-51541
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe time signature changes from the intro in 7/4 to a more straightforward 4/4 for the rest of the piece.
  1. Play
    Beyond Discovery 1673/7 17 mixes Bob Bradley (PRS) | Matt Sanchez (PRS) | Steve Dymond (PRS)
    Brooding retro-inspired trip hop. Soulful vocal & cool guitars
    3:07
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  2. Play
    Endlessly Falling 2515/7 22 mixes Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Mysterious sound design into hauntingly epic female vocals & orchestra
    3:44
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  3. Play
    Open Your Eyes 2515/3 21 mixes Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP) | Greg Hayes (ASCAP)
    Eerie intro builds to beautiful female vocals, strings & percussion
    3:35
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  4. Play
    Shoes 1709/1 8 mixes Alex Arcoleo (PRS) | Alyusha Chagrin (PRS)
    Chilled ambient pop with trippy groove, electronica & sweet female vocal
    3:45
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  5. Play
    Try 2515/5 24 mixes Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Gentle female vocals float above pads into tense, epic orchestral
    3:00
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  6. Play
    What Do I Care 2403/6 14 mixes Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Chilled, nostalgic female vocal pop with strings & grooving drums & bass
    4:46
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