Track Details

Defcon - 19 mixes

  1. Play
    Defcon 2963/1 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sinister heavy rock riffs with building drums & fx. Recorded in caves
    3:35
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96301
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  2. Play
    Defcon 2 2963/11 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Epic ambient synths & brass fx with slow rock drums recorded in caves
    3:46
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96311
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  3. Play
    Defcon 3 2963/12 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Ambient synths with slow rock drums recorded in caves. No brass fx
    3:37
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96312
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  4. Play
    Defcon 4 2963/13 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sinister heavy guitar riffs with building drums, no brass fx
    3:28
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96313
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  5. Play
    Defcon 5 2963/14 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sinister heavy guitar riffs & drums. No brass or synths
    3:28
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96314
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  6. Play
    Defcon 6 2963/15 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Epic ambient synths & brass fx with slow rock drums recorded in caves
    3:35
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96315
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  7. Play
    Defcon 7 2963/16 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sinister rock guitar riffs & ghostly fx. No drums. Recorded in caves
    3:19
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96316
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  8. Play
    Defcon 8 2963/17 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Ambient, hellish drone from the depths. All is not well
    3:41
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96317
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  9. Play
    Defcon 9 2963/18 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Ambient, hellish drone. No brass fx. Cause for concern
    3:41
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96318
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  10. Play
    Defcon 10 (60) 2963/19 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sinister heavy rock riffs with building drums & fx. Recorded in caves
    1:00
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96319
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  11. Play
    Defcon 11 (60) 2963/20 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Epic ambient synths & brass fx with slow rock drums recorded in caves
    1:00
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96320
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  12. Play
    Defcon 12 (30) 2963/21 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sinister heavy rock riffs with building drums & fx. Recorded in caves
    0:30
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96321
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  13. Play
    Defcon 13 (30) 2963/22 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Epic ambient synths & brass fx with slow rock drums recorded in caves
    0:30
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96322
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  14. Play
    Defcon 14 (Bumper) 2963/23 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sinister heavy rock riff with big drums bumper
    0:14
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96323
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  15. Play
    Defcon 15 (Bumper) 2963/24 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Aggressive heavy rock riff with big drums bumper
    0:13
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96324
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  16. Play
    Defcon 16 (Sting) 2963/25 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Distorted 'sub drop' synth & boom
    0:12
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96325
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  17. Play
    Defcon 17 (Sting) 2963/26 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Slow drums into dark guitar. Sting
    0:11
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96326
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  18. 0:09
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96327
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe brass players were next to an old oil tank in the caves when this was recorded. You can hear both the cave reverb and the oil tank in this sting
  19. Play
    Defcon 19 (Sting) 2963/28 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Reversed, rising sting into sudden stop
    0:08
    Add to favourites Add to cart
    • Tempo NotesVery Slow
    • ISRCGB-FFM-18-96328
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis track was recorded in Chistlehurst Caves. The team took all the recording equipment and instruments deep into the 20 mile maze of tunnels, wearing headlamps. All the equipment had to run off batteries. Surely the most bizarre Audio Network session to date.
  1. Play
    Below The Surface 2964/1 16 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Atmospheric, cavernous groove with guitars builds to epic climax
    4:32
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  2. Play
    Slow Mo Dream 2964/3 12 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Eerie textures from whirly tubes & cello harmonics over slow drum groove
    3:51
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