Track Details

Day And Night 3 (60) - 10 mixes

  1. Play
    Day And Night 1780/4 Paul Ressel (PRS)
    Surrealistic violin melody with electronic percussion & Rhodes. Calm & uplifting
    2:46
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78004
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  2. Play
    Day And Night 2 1780/37 Paul Ressel (PRS)
    Surrealistic, layered violin melody with calming Rhodes & fx. No percussion
    2:44
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78037
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  3. Play
    Day And Night 3 (60) 1780/38 Paul Ressel (PRS)
    Surrealistic, layered violin melody with calm, quirky atmospheric textures & fx
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78038
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  4. Play
    Day And Night 4 (60) 1780/39 Paul Ressel (PRS)
    Dreamy, ambient Rhodes with ethereal female vocal textures & Omnichord
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78039
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  5. Play
    Day And Night 5 (60) 1780/40 Paul Ressel (PRS)
    Hypnotic, dreamy & atmospheric with chiming Rhodes, percussion & fx
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78040
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  6. Play
    Day And Night 6 (60) 1780/41 Paul Ressel (PRS)
    Dark, twisted violin melody with dreamy Rhodes & female vocal textures
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78041
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  7. Play
    Day And Night 7 (30) 1780/42 Paul Ressel (PRS)
    Surrealistic violin melody with dreamy Rhodes & fx. Soothingly strange
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78042
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  8. Play
    Day And Night 8 (30) 1780/43 Paul Ressel (PRS)
    Dark collision of instruments & textures featuring sombre violin & bright Rhodes
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78043
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  9. Play
    Day And Night 9 (30) 1780/44 Paul Ressel (PRS)
    Chiming, ambient Rhodes. Music box meets the ice cream van minimalism
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78044
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  10. Play
    Day And Night 10 (Sting) 1780/45 Paul Ressel (PRS)
    Dark, sinister sting with Omnichord flurry & Rhodes tailing out
    0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-78045
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidViolinist, Vicente Espi, played his part in this composition on a £1 million Stradivarius loaned from the Royal Northern Academy.
  1. Play
    Bigger Things 1729/2 9 mixes Bob Bradley (PRS) | Jason Pedder (PRS) | Ben Ziapour (PRS)
    Futuristic haunting waltz with glitched beats, strings & female voice
    3:18
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  2. Play
    Cling On To Me 1914/3 13 mixes Paul Ressel (PRS)
    Madcap symphony of twisted sounds & rhythms. Bizarrely uplifting
    3:47
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  3. Play
    Creation 1780/2 10 mixes Paul Ressel (PRS)
    Dramatic episodic score with deep drums, piano, choral & synth washes
    3:40
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  4. Play
    Floating Point 1787/1 9 mixes Terry Devine-King (PRS)
    Gentle orchestral strings with glitch effects & piano
    2:17
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  5. Play
    Her Heart Growls 1780/3 12 mixes Paul Ressel (PRS)
    Beautiful celeste with glitch drums & organic, analogue bass
    2:10
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  6. Play
    Moon Walk 2065/1 14 mixes Paul Ressel (PRS)
    Soothing violin over deep bass, ambient marimba & percussion. Asian feel
    3:54
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  7. Play
    Old Ways 2065/5 15 mixes Paul Ressel (PRS)
    Sad uplifting melody with soaring Theremin, strings & electronic percussion
    3:35
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  8. Play
    Seveneight 1780/7 15 mixes Paul Ressel (PRS)
    Powerful string melody with drum builds & warm Rhodes organ
    4:10
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  9. Play
    There's Always A Way 2780/8 11 mixes Richard Lacy (PRS)
    Enigmatic reverse fx with lo-fi piano, mechanical rhythms & bright melodies
    3:48
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  10. Play
    Time Frame 1787/3 9 mixes Terry Devine-King (PRS)
    Slow, gentle strings with glitch effects & treated piano melody
    2:00
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