Track Details

Cybertex 8 - 14 mixes

  1. Play
    Cybertex 2125/6 James Brett (PRS/BMI)
    Spooky, foreboding orchestral thriller with electronic textures & percussion
    2:41
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-12506
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  2. Play
    Cybertex 2 2125/102 James Brett (PRS/BMI)
    Spooky, foreboding orchestral crossover. Second part
    1:49
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12502
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  3. Play
    Cybertex 3 2125/103 James Brett (PRS/BMI)
    Spooky, foreboding piano with electronic textures & percussion
    1:49
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12503
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  4. Play
    Cybertex 4 2125/104 James Brett (PRS/BMI)
    Glitchy, foreboding electronic textures & percussion
    1:47
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12504
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  5. Play
    Cybertex 5 2125/105 James Brett (PRS/BMI)
    Spooky, foreboding harp, piano & strings ostinato
    1:46
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12505
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  6. Play
    Cybertex 6 2125/106 James Brett (PRS/BMI)
    Glitchy tension bed featuring electronic textures & percussion
    1:41
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12506
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  7. Play
    Cybertex 7 (60) 2125/107 James Brett (PRS/BMI)
    Spooky, foreboding orchestral thriller with electronic textures & percussion
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12507
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  8. Play
    Cybertex 8 2125/108 James Brett (PRS/BMI)
    Spooky, foreboding orchestral crossover. Second part
    0:51
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12508
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  9. Play
    Cybertex 9 2125/109 James Brett (PRS/BMI)
    Spooky, dark & uneasy choir phrases
    0:49
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12509
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  10. Play
    Cybertex 10 2125/110 James Brett (PRS/BMI)
    Spooky, foreboding orchestral strings & horns
    0:47
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12510
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  11. Play
    Cybertex 11 2125/111 James Brett (PRS/BMI)
    Glitchy, foreboding electronic textures & percussion with strings
    0:46
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12511
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  12. Play
    Cybertex 12 (30) 2125/112 James Brett (PRS/BMI)
    Spooky, foreboding orchestral thriller with electronic textures & percussion
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12512
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  13. Play
    Cybertex 13 2125/113 James Brett (PRS/BMI)
    Dark, spooky & uneasy brass
    0:28
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12513
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  14. Play
    Cybertex 14 (Sting) 2125/114 James Brett (PRS/BMI)
    Dark, spooky & uneasy sting with orchestra & electronic drone
    0:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-12514
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidRecorded with full symphony orchestra and choir at Abbey Road Studios
  1. Play
    Behavioural Analysis 2427/8 16 mixes Chris Egan (PRS) | Trystan Francis (PRS)
    Brooding sound design interspersed with threatening orchestral strings
    1:48
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  2. Play
    Do Not Fear Me 2059/1 5 mixes Debbie Wiseman (PRS)
    Eerie strings with twisting cellos & percussion. Mysterious theme at 0:24
    1:10
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  3. Play
    Line of Battle 2072/6 5 mixes Patrick Hawes (PRS)
    Dark, urgent, tense orchestral
    2:49
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  4. Play
    Mystery Case 2171/2 18 mixes Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Unsettling soundscape with warped pads & textures. Ominous & scary
    2:19
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  5. Play
    Nightwatchers 2125/4 22 mixes James Brett (PRS/BMI)
    Dark, dramatic martial orchestra with choir & electronic elements
    3:06
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  6. Play
    Overshadow 2890/6 18 mixes Guy Farley (PRS) | Andrew Carroll (PRS)
    Atmospheric orchestral tension builds to calm pan flute, drone & percussion
    2:39
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  7. Play
    Reckoning 2413/8 9 mixes Jody Jenkins (PRS)
    Dark bed with foreboding metallic scrapes & percussive effects
    2:50
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  8. Play
    Something in the Shadows 1407/8 4 mixes Luke Richards (PRS)
    Dark moody orchestral & synth effects
    4:28
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  9. Play
    Woodsman 3014/5 15 mixes Alex Kovacs (BMI)
    Orchestral hybrid thriller moves through themes of mystery, menace & terror
    4:36
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