Comfort Beast 5 (60) - 12 mixes

  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/5
  • ISRC GB-FFM-14-20405
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/53
  • ISRC GB-FFM-14-20453
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/54
  • ISRC GB-FFM-14-20454
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/55
  • ISRC GB-FFM-14-20455
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/56
  • ISRC GB-FFM-14-20456
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/57
  • ISRC GB-FFM-14-20457
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/58
  • ISRC GB-FFM-14-20458
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/59
  • ISRC GB-FFM-14-20459
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/60
  • ISRC GB-FFM-14-20460
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/61
  • ISRC GB-FFM-14-20461
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/62
  • ISRC GB-FFM-14-20462
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.
  • Key C (ends in C)
  • Metre 4/4
  • Tempo 135 bpm (ends at 135)
  • Tempo Notes Medium
  • Album Number 2204/63
  • ISRC GB-FFM-14-20463
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid Some of the sound fx used in the track were made by waving a field microphone in front of a television and recording the electronic noise.

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