Track Details

Cold City 7 mixes

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Cold City 1165/1 David O'Brien (PRS)
Pumping, urban trip-hop with epic strings
3:14
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  • Tempo NotesSlow
  • ISRCGB-FFM-06-16501
  • PublisherAudio Network Limited
  • Release Year2006
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Cold City 2 1165/10 David O'Brien (PRS)
Pumping, urban trip-hop. Rhythm mix
3:12
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  • Tempo NotesSlow
  • ISRCGB-FFM-06-16510
  • PublisherAudio Network Limited
  • Release Year2006
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Cold City 3 1165/11 David O'Brien (PRS)
Dark bass pulse with strings & effects from Cold City
3:02
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  • Tempo NotesSlow
  • ISRCGB-FFM-06-16511
  • PublisherAudio Network Limited
  • Release Year2006
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Cold City 4 (60) 1165/12 David O'Brien (PRS)
Pumping, urban trip-hop with epic strings
1:00
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  • Tempo NotesSlow
  • ISRCGB-FFM-06-16512
  • PublisherAudio Network Limited
  • Release Year2006
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Cold City 5 (30) 1165/13 David O'Brien (PRS)
Pumping, urban trip-hop with epic strings
0:30
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  • Tempo NotesSlow
  • ISRCGB-FFM-06-16513
  • PublisherAudio Network Limited
  • Release Year2006
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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0:10
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  • Tempo NotesSlow
  • ISRCGB-FFM-06-16514
  • PublisherAudio Network Limited
  • Release Year2006
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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0:06
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  • Tempo NotesSlow
  • ISRCGB-FFM-06-16515
  • PublisherAudio Network Limited
  • Release Year2006
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Alien Kontakt 1504/9 14 mixes Darren Leigh Purkiss (PRS)
Menacing sci-fi electronica with electro glitching & phat synth bass
3:19
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All To Play For 1500/1 7 mixes Terry Devine-King (PRS)
Tense, pulsing orchestra with epic rock drums & effects
3:11
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Big Boss 1352/8 6 mixes Dave James (PRS)
Urgent, powerful urban RnB groove
3:40
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Bigger Than This 1438/63 6 mixes Ben Cocks (PRS)
Slow urban beats with deep bass drum, driving synths & auto tuned vocal
3:36
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Built Like That 2 2501/86 12 mixes Sean Allen (PRS)
Grooving grime with airy synths, punchy bass & other-worldly FX. No vocal
3:32
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Confrontation 1340/3 6 mixes Gareth Johnson (PRS)
Dark, menacing hip hop. Hypnotic & tense
4:03
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Crawl 2229/1 10 mixes Kes Loy (PRS)
Dark, creeping electro rock with multi layered synths, guitars & effects
2:36
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Dark Dealings 1339/2 6 mixes Kevin Browne (PRS)
Sinister hip hop & orchestra with deep, sensual urban groove
3:26
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Dirty South 1413/1 7 mixes Barrie Gledden (PRS) | Tim Reilly (PRS) | Jeff Dale (PRS)
Bouncing hip hop groove with dirty synths & quirky guitars
4:29
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Edge of Fear 1645/1 9 mixes Dave James (PRS) | Adam Skinner (PRS) | Dan Skinner (PRS)
Dark & foreboding cinematic hip hop with twisted electronica
2:59
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Firestorm 1583/5 4 mixes Luke Richards (PRS)
Mysterious pulsing into dramatic electro orchestral cinematic crossover
3:39
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Flame Nebula 2433/2 16 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
Interstellar effects & orchestra building to emotional climax
3:20
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Forgiven 1489/9 11 mixes Gareth Johnson (PRS) | Justin Johnson (PRS)
Brooding urban groove with thoughtful piano, guitar & glitchy electro pads
2:46
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2:22
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Gritty Navigation 1339/6 7 mixes Bob Bradley (PRS)
Malevolent & dark. Percussive with urban guitar riffs & filtered madness
3:09
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Hard Hitta 1367/7 7 mixes Dave James (PRS)
Urban hip-hop groove, with dramatic stabs & urban chants
3:05
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Heads Together 2052/2 13 mixes Tom Peters (PRS) | Chris Warner (PRS)
Blockbusting hip hop orchestral fusion with menacing overtones
2:04
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Hey Ho 1438/3 10 mixes Barrie Gledden (PRS) | Tim Reilly (PRS) | Jeff Dale (PRS)
Atmospheric RnB with sharp beats, deep bass & vocal chant
4:55
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I Wanna Be A Star 2 2403/71 15 mixes Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
Dark shadow filled instrumental with powerful drums & percussive fx
3:46
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Knife Kryme 1411/7 15 mixes Darren Leigh Purkiss (PRS)
Cruisin' urban dubstep with dark bass & building synth patterns
3:02
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Lost in Jupiter 1541/3 6 mixes Miguel Moreno (PRS)
Eerie sci-fi synths into electro groove with spooky vocal textures
3:15
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Mend Your Heart 2 1847/59 10 mixes Barrie Gledden (PRS) | Chris Bussey (PRS) | Jason Leggett (PRS)
Nu skool street ballad underscore with deep urban groove
4:09
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NLB 1340/1 4 mixes Gareth Johnson (PRS)
New school East Coast hip hop with brass stabs & vinyl scratches
2:56
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Primal Fear 1572/9 8 mixes Dave James (PRS)
Dark & menacing hip hop groove with haunting piano riff
2:12
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Spectra 1548/11 14 mixes John 00 Fleming (PRS)
Dark, slow breaks with haunting pads
4:48
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The End 1489/2 8 mixes Gareth Johnson (PRS) | Justin Johnson (PRS)
Building groove from calm yet eerie guitar & synths to orchestral meltdown
3:29
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Things 1420/8 8 mixes Barrie Gledden (PRS)
Solid electro rock driving beats & synths with cynical male voice
3:40
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Trick or Treat 1438/5 8 mixes Gareth Johnson (PRS)
Mysterious urban instrumental with fat beats, pizzicato strings & spooky FX
2:23
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Urban Hunter 1370/6 5 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
Dark slow hip hop groove with vocal effects
2:59
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Waiting 1295/3 3 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
Tense creeping bass & drums over twisted pads
3:38
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