Track Details

Cold City 3 - 7 mixes

  1. Play
    Cold City 1165/1 David O'Brien (PRS)
    Pumping, urban trip-hop with epic strings
    3:14
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-16501
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  2. Play
    Cold City 2 1165/10 David O'Brien (PRS)
    Pumping, urban trip-hop. Rhythm mix
    3:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-16510
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  3. Play
    Cold City 3 1165/11 David O'Brien (PRS)
    Dark bass pulse with strings & effects from Cold City
    3:02
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-16511
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  4. Play
    Cold City 4 (60) 1165/12 David O'Brien (PRS)
    Pumping, urban trip-hop with epic strings
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-16512
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  5. Play
    Cold City 5 (30) 1165/13 David O'Brien (PRS)
    Pumping, urban trip-hop with epic strings
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-16513
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  6. Play
    0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-16514
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  7. Play
    0:06
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-16515
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  1. Play
    Alien Kontakt 1504/9 14 mixes Darren Leigh Purkiss (PRS)
    Menacing sci-fi electronica with electro glitching & phat synth bass
    3:19
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  2. Play
    All To Play For 1500/1 7 mixes Terry Devine-King (PRS)
    Tense, pulsing orchestra with epic rock drums & effects
    3:11
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  3. Play
    Big Boss 1352/8 6 mixes Dave James (PRS)
    Urgent, powerful urban RnB groove
    3:40
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  4. Play
    Bigger Than This 1438/63 6 mixes Ben Cocks (PRS)
    Slow urban beats with deep bass drum, driving synths & auto tuned vocal
    3:36
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  5. Play
    Built Like That 2 2501/86 12 mixes Sean Allen (PRS)
    Grooving grime with airy synths, punchy bass & other-worldly FX. No vocal
    3:32
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  6. Play
    Confrontation 1340/3 6 mixes Gareth Johnson (PRS)
    Dark, menacing hip hop. Hypnotic & tense
    4:03
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  7. Play
    Crawl 2229/1 10 mixes Kes Loy (PRS)
    Dark, creeping electro rock with multi layered synths, guitars & effects
    2:36
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  8. Play
    Dark Dealings 1339/2 6 mixes Kevin Browne (PRS)
    Sinister hip hop & orchestra with deep, sensual urban groove
    3:26
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  9. Play
    Dirty South 1413/1 7 mixes Barrie Gledden (PRS) | Tim Reilly (PRS) | Jeff Dale (PRS)
    Bouncing hip hop groove with dirty synths & quirky guitars
    4:29
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  10. Play
    Edge of Fear 1645/1 9 mixes Dave James (PRS) | Adam Skinner (PRS) | Dan Skinner (PRS)
    Dark & foreboding cinematic hip hop with twisted electronica
    2:59
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  11. Play
    Firestorm 1583/5 4 mixes Luke Richards (PRS)
    Mysterious pulsing into dramatic electro orchestral cinematic crossover
    3:39
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  12. Play
    Flame Nebula 2433/2 16 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
    Interstellar effects & orchestra building to emotional climax
    3:20
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  13. Play
    Forgiven 1489/9 11 mixes Gareth Johnson (PRS) | Justin Johnson (PRS)
    Brooding urban groove with thoughtful piano, guitar & glitchy electro pads
    2:46
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  14. 2:22
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  15. Play
    Gritty Navigation 1339/6 7 mixes Bob Bradley (PRS)
    Malevolent & dark. Percussive with urban guitar riffs & filtered madness
    3:09
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  16. Play
    Hard Hitta 1367/7 7 mixes Dave James (PRS)
    Urban hip-hop groove, with dramatic stabs & urban chants
    3:05
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  17. Play
    Heads Together 2052/2 13 mixes Tom Peters (PRS) | Chris Warner (PRS)
    Blockbusting hip hop orchestral fusion with menacing overtones
    2:04
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  18. Play
    Hey Ho 1438/3 10 mixes Barrie Gledden (PRS) | Tim Reilly (PRS) | Jeff Dale (PRS)
    Atmospheric RnB with sharp beats, deep bass & vocal chant
    4:55
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  19. Play
    I Wanna Be A Star 2 2403/71 15 mixes Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Dark shadow filled instrumental with powerful drums & percussive fx
    3:46
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  20. Play
    Knife Kryme 1411/7 15 mixes Darren Leigh Purkiss (PRS)
    Cruisin' urban dubstep with dark bass & building synth patterns
    3:02
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  21. Play
    Lost in Jupiter 1541/3 6 mixes Miguel Moreno (PRS)
    Eerie sci-fi synths into electro groove with spooky vocal textures
    3:15
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  22. Play
    Mend Your Heart 2 1847/59 10 mixes Barrie Gledden (PRS) | Chris Bussey (PRS) | Jason Leggett (PRS)
    Nu skool street ballad underscore with deep urban groove
    4:09
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  23. Play
    NLB 1340/1 4 mixes Gareth Johnson (PRS)
    New school East Coast hip hop with brass stabs & vinyl scratches
    2:56
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  24. Play
    Primal Fear 1572/9 8 mixes Dave James (PRS)
    Dark & menacing hip hop groove with haunting piano riff
    2:12
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  25. Play
    Spectra 1548/11 14 mixes John 00 Fleming (PRS)
    Dark, slow breaks with haunting pads
    4:48
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  26. Play
    The End 1489/2 8 mixes Gareth Johnson (PRS) | Justin Johnson (PRS)
    Building groove from calm yet eerie guitar & synths to orchestral meltdown
    3:29
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  27. Play
    Things 1420/8 8 mixes Barrie Gledden (PRS)
    Solid electro rock driving beats & synths with cynical male voice
    3:40
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  28. Play
    Trick or Treat 1438/5 8 mixes Gareth Johnson (PRS)
    Mysterious urban instrumental with fat beats, pizzicato strings & spooky FX
    2:23
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  29. Play
    Urban Hunter 1370/6 5 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Dark slow hip hop groove with vocal effects
    2:59
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  30. Play
    Waiting 1295/3 3 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Tense creeping bass & drums over twisted pads
    3:38
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