Track Details

Code Red 4 - 13 mixes

  1. Play
    Code Red 2482/6 Terry Devine-King (PRS)
    Cold War spy theme with cimbalom builds to a grandiose orchestral march
    2:21
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48206
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  2. Play
    Code Red 2 2482/65 Terry Devine-King (PRS)
    Cold War spy theme with cimbalom, balalaikas, glock & percussion
    2:26
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48265
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  3. Play
    Code Red 3 2482/66 Terry Devine-King (PRS)
    Cold War spy theme builds to a grandiose orchestral march. Alt ending
    2:19
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48266
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  4. Play
    Code Red 4 2482/67 Terry Devine-King (PRS)
    Sinister glock & tense strings build to a stately Russian orchestral march
    2:02
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48267
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  5. Play
    Code Red 5 2482/68 Terry Devine-King (PRS)
    Sinister glock melody with tense strings. Builds in majesty & suspense
    1:51
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48268
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  6. Play
    Code Red 6 (60) 2482/69 Terry Devine-King (PRS)
    Cold War spy theme with cimbalom builds to a grandiose orchestral march
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48269
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  7. Play
    Code Red 7 (30) 2482/70 Terry Devine-King (PRS)
    Grandiose Russian orchestral march
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48270
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  8. Play
    Code Red 8 (30) 2482/71 Terry Devine-King (PRS)
    Cold War spy theme with cimbalom builds to a grandiose orchestral march
    0:30
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-15-48271
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  9. Play
    Code Red 9 (Sting) 2482/72 Terry Devine-King (PRS)
    Mysterious cimbalom & balalaika with dramatic orchestral ending sting
    0:07
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48272
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  10. Play
    Code Red 10 (Sting) 2482/73 Terry Devine-King (PRS)
    Stately Russian orchestral march sting
    0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48273
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  11. Play
    Code Red 11 (Sting) 2482/74 Terry Devine-King (PRS)
    Dramatic orchestral ending sting
    0:08
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    • Tempo NotesSlow
    • ISRCGB-FFM-15-48274
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  12. 0:08
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-15-48275
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  13. Play
    Code Red 13 (Sting) 2482/76 Terry Devine-King (PRS)
    Dramatic orchestral strings ending sting
    0:07
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-15-48276
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidDuring the Cold War, the USSR was able to tell if a Soviet passport was a forgery because the staples in real passports would corrode due to the poor quality of metal.
  1. Play
    Behind The Iron Curtain 2433/4 17 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
    Cold, tense bed building to large scale quasi-Russian orchestral
    2:49
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  2. Play
    March Of The Bears 1984/4 12 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Laborious march with playful orchestra. Deafening end
    2:30
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  3. Play
    Midnight Escape 2482/8 11 mixes Terry Devine-King (PRS)
    Dark, quirky & mysterious Russian dramedy with timpani, cimbalom & clarinet
    2:17
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  4. Play
    Sleepwalker 2482/1 11 mixes Terry Devine-King (PRS)
    Mischievous East European march with clarinet & balalaika
    2:08
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  5. Play
    The Beast From The East 1256/10 15 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Quirky dark Russian waltz with a feel of adventure & espionage
    2:30
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  6. Play
    Troublesome Times 2482/4 12 mixes Terry Devine-King (PRS)
    Tension drama with East European instruments over military drums
    2:21
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