Track Details

Close Encounter 6 8 mixes

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Close Encounter 1001/27 Ian Hughes (PRS)
Dark, foreboding, tense orchestra into very fast string theme
1:53
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  • Tempo NotesN/A
  • ISRCGB-FFM-02-00127
  • PublisherAudio Network Limited
  • Release Year2002
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Close Encounter 2 1001/28 Ian Hughes (PRS)
Horn fanfare (optional) into dark, foreboding, tense orchestra
1:17
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-02-00128
  • PublisherAudio Network Limited
  • Release Year2002
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Close Encounter 3 1001/29 Ian Hughes (PRS)
Fast, driving, positive, orchestral
0:40
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  • Tempo NotesVery Fast
  • ISRCGB-FFM-02-00129
  • PublisherAudio Network Limited
  • Release Year2002
FactoidThe sonatas of Mozart are unique: they are too easy for children, and too difficult for artists. ARTUR SCHNABEL
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Close Encounter 4 1001/30 Ian Hughes (PRS)
Fast, driving, positive, orchestra. Orchestral stab at beginning
0:39
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  • Tempo NotesVery Fast
  • ISRCGB-FFM-02-00130
  • PublisherAudio Network Limited
  • Release Year2002
FactoidThe sonatas of Mozart are unique: they are too easy for children, and too difficult for artists. ARTUR SCHNABEL
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Close Encounter 5 1001/31 Ian Hughes (PRS)
Horn fanfare and timp roll
0:09
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  • Tempo NotesMedium
  • ISRCGB-FFM-02-00131
  • PublisherAudio Network Limited
  • Release Year2002
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Close Encounter 6 1001/32 Ian Hughes (PRS)
Dark, foreboding, tense orchestra
1:11
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  • Tempo NotesMedium
  • ISRCGB-FFM-02-00132
  • PublisherAudio Network Limited
  • Release Year2002
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Close Encounter 7 (60) 1001/33 Ian Hughes (PRS)
Dark, foreboding, tense woodwind. Features bass clarinet
1:00
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  • Tempo NotesMedium
  • ISRCGB-FFM-02-00133
  • PublisherAudio Network Limited
  • Release Year2002
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Close Encounter 8 (Link) 1001/34 Ian Hughes (PRS)
Dark, spooky, foreboding, sting orchestral link
0:12
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  • Tempo NotesMedium
  • ISRCGB-FFM-02-00134
  • PublisherAudio Network Limited
  • Release Year2002
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