Track Details

Claustrophobia 5 (60) - 7 mixes

  1. Play
    Claustrophobia 1626/1 Chris Egan (PRS) | Trystan Francis (PRS)
    Dark atmospheric, edgy. Twisted guitars & violent explosions of electronica
    1:48
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-62601
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidThe sustained guitar sound on this track was achieved using an ebow, an interesting little gadget that allows you to make sustained sounds on guitar. Did I mention it makes sustained sounds on guitar?
  2. Play
    Claustrophobia 2 1626/11 Chris Egan (PRS) | Trystan Francis (PRS)
    Dark & edgy electronica with twisted guitars. No violent stabs
    1:48
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-62611
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidThe sustained guitar sound on this track was achieved using an ebow, an interesting little gadget that allows you to make sustained sounds on guitar. Did I mention it makes sustained sounds on guitar?
  3. Play
    Claustrophobia 3 1626/12 Chris Egan (PRS) | Trystan Francis (PRS)
    Sparse, dark & edgy underscore with ebowed guitar & weird effects
    1:49
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-62612
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidThe sustained guitar sound on this track was achieved using an ebow, an interesting little gadget that allows you to make sustained sounds on guitar. Did I mention it makes sustained sounds on guitar?
  4. Play
    Claustrophobia 4 (60) 1626/13 Chris Egan (PRS) | Trystan Francis (PRS)
    Dark & edgy electronica with twisted guitars & violent explosions
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-62613
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidThe sustained guitar sound on this track was achieved using an ebow, an interesting little gadget that allows you to make sustained sounds on guitar. Did I mention it makes sustained sounds on guitar?
  5. Play
    Claustrophobia 5 (60) 1626/14 Chris Egan (PRS) | Trystan Francis (PRS)
    Dark & edgy electronica with twisted guitars. No violent stabs
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-62614
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidThe sustained guitar sound on this track was achieved using an ebow, an interesting little gadget that allows you to make sustained sounds on guitar. Did I mention it makes sustained sounds on guitar?
  6. Play
    Claustrophobia 6 (30) 1626/15 Chris Egan (PRS) | Trystan Francis (PRS)
    Dark & edgy electronica with twisted guitars & violent explosions
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-62615
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidThe sustained guitar sound on this track was achieved using an ebow, an interesting little gadget that allows you to make sustained sounds on guitar. Did I mention it makes sustained sounds on guitar?
  7. Play
    Claustrophobia 7 (30) 1626/16 Chris Egan (PRS) | Trystan Francis (PRS)
    Dark & edgy electronica with twisted guitars. No violent stabs
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-11-62616
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidThe sustained guitar sound on this track was achieved using an ebow, an interesting little gadget that allows you to make sustained sounds on guitar. Did I mention it makes sustained sounds on guitar?
  1. Play
    Groove Of A Murderer 2460/7 11 mixes Paul Ressel (PRS)
    Moving synth pads & soaring bell over deep bass & bitty beats
    3:44
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  2. Play
    Kasbah Nightlife 1586/3 12 mixes Lincoln Grounds (PRS) | Michael Pearse (PRS)
    Tense beats & effects with punchy rock guitar, flute & Egyptian tambourine
    3:16
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  3. Play
    Space Time 1532/7 8 mixes Terry Devine-King (PRS) | Andrew Barnabas (PRS) | Paul Arnold (PRS)
    Haunting piano into angry heavy metal & dramatic orchestra with stops & hits
    2:00
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  4. Play
    Storm Approaching 1532/8 7 mixes Terry Devine-King (PRS) | Andrew Barnabas (PRS) | Paul Arnold (PRS)
    Build from tense beats, mysterious flute & voice to full rock band & orchestra
    2:30
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  5. Play
    Urban Evil 1899/3 12 mixes Lincoln Grounds (PRS) | Michael Pearse (PRS)
    Dark urban fearscape with raw guitar riffs, piano, cello & doom sections
    3:35
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  6. Play
    Vendetta 1527/11 6 mixes Terry Devine-King (PRS) | Adam Drake (PRS)
    Ominous intro with a military/spy feel into a volatile, nu metal soundscape
    2:09
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