Track Details

Beautifully Empty 4 (60) - 8 mixes

  1. Play
    Beautifully Empty 1774/1 Paul Ressel (PRS)
    Ethereal & mysterious with haunting glock above dark pads & filtered beats
    3:27
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-77401
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe eerie pad in this composition was created by recording a Guzheng (Chinese zither) then pitching it down and mangling it using an old 12bit sampler
  2. Play
    Beautifully Empty 2 (60) 1774/7 Paul Ressel (PRS)
    Ethereal & mysterious with haunting glock above dark pads & filtered beats
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-77407
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe eerie pad in this composition was created by recording a Guzheng (Chinese zither) then pitching it down and mangling it using an old 12bit sampler
  3. Play
    Beautifully Empty 3 (60) 1774/8 Paul Ressel (PRS)
    Ethereal & mysterious with haunting glock above dark pads. No beats
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-77408
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe eerie pad in this composition was created by recording a Guzheng (Chinese zither) then pitching it down and mangling it using an old 12bit sampler
  4. Play
    Beautifully Empty 4 (60) 1774/9 Paul Ressel (PRS)
    Ethereal, dark & mysterious soundscape
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-77409
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe eerie pad in this composition was created by recording a Guzheng (Chinese zither) then pitching it down and mangling it using an old 12bit sampler
  5. Play
    Beautifully Empty 5 (30) 1774/10 Paul Ressel (PRS)
    Ethereal & mysterious with haunting glock above dark pads. No beats
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-77410
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe eerie pad in this composition was created by recording a Guzheng (Chinese zither) then pitching it down and mangling it using an old 12bit sampler
  6. Play
    Beautifully Empty 6 (30) 1774/11 Paul Ressel (PRS)
    Ethereal, dark & mysterious soundscape
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-77411
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe eerie pad in this composition was created by recording a Guzheng (Chinese zither) then pitching it down and mangling it using an old 12bit sampler
  7. Play
    Beautifully Empty 7 (30) 1774/12 Paul Ressel (PRS)
    Dark & mysterious with filtered hip hop beats, deep bass & fx
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-77412
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe eerie pad in this composition was created by recording a Guzheng (Chinese zither) then pitching it down and mangling it using an old 12bit sampler
  8. Play
    Beautifully Empty 8 (Sting) 1774/13 Paul Ressel (PRS)
    Mysterious & dark sting eerie, atmospheric pad
    0:07
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-77413
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe eerie pad in this composition was created by recording a Guzheng (Chinese zither) then pitching it down and mangling it using an old 12bit sampler
  1. Play
    Analogue Man 1981/2 12 mixes Paul Ressel (PRS)
    Pulsing beats overlaid with harpsichord & piano
    3:08
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  2. Play
    Beyond The Spiral 2075/8 7 mixes David O'Brien (PRS)
    Other-worldy voices & trippy textures above erratic tribal percussion
    4:18
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  3. Play
    Broken Toys 1760/1 9 mixes Lincoln Grounds (PRS) | Jason Pedder (PRS) | Ben Ziapour (PRS) | Barrie Gledden (PRS)
    Reflective, morphed music box theme with warm, glitchy synths & beats
    3:06
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  4. Play
    Cyborg Sunrise 1774/3 12 mixes Paul Ressel (PRS)
    Moving pipe organ with twitchy banjo, dramatic synths & driving beat
    3:10
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  5. Play
    Data Streams 1681/2 8 mixes Darren Leigh Purkiss (PRS)
    Tinkling & dreamy tuned percussion with agitated glitch beats
    2:36
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  6. Play
    Disturbed 1932/6 12 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Steve Dymond (PRS)
    Dark, twisted, minimal electronica with glitched beats & processed piano
    3:25
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  7. Play
    Dr Dread 1914/7 13 mixes Paul Ressel (PRS)
    Spooky harpsichord, bells & synths build with monster's footstep drums
    4:23
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  8. Play
    From Hell 1906/2 9 mixes Philip Guyler (PRS)
    Dark drone & music box builds with hammering drums
    2:07
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  9. Play
    Gold Days Are Over 1858/3 15 mixes Tom Boddy (PRS)
    Chilled, dreamy electronica with celestial melodies & glitchy beats
    2:48
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  10. Play
    Grandad's Theme 1947/4 5 mixes Adam Skinner (PRS) | Dan Skinner (PRS)
    Quaint, haunting waltz with piano & music box theme, Mellotron & vintage fx
    2:08
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  11. Play
    Hypnosis 1432/3 3 mixes Helen Jane Long (PRS)
    Hypnotic, undulating score, developing with subtle changes
    1:42
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  12. Play
    Lakehouse 1909/1 7 mixes Alex Arcoleo (PRS)
    Dreamlike keyboards over dark pads, textures & hammered anvil effect
    3:03
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  13. Play
    Milk Jug 1914/1 13 mixes Paul Ressel (PRS)
    Deep, floaty chime/music box melody with percussion & moody textures
    3:20
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  14. Play
    Space Tides 2365/1 11 mixes Paul Ressel (PRS)
    Peculiar synths with dynamic, grooving percussion & strings
    2:53
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  15. Play
    Urban Evil 2 1899/27 12 mixes Lincoln Grounds (PRS) | Michael Pearse (PRS)
    Disturbing tension bed with electronica, dark cello & possessed piano
    3:34
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