Track Details

Beautiful Dark - 10 mixes

  1. Play
    Beautiful Dark 2923/2 Tom Quick (PRS)
    Dark, sparse & brooding ambient electronica builds in hope
    3:37
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92302
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  2. Play
    Beautiful Dark 2 2923/20 Tom Quick (PRS)
    Dark, brooding ambient electronica. Extended mix with bass & drums ending
    4:32
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92320
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  3. Play
    Beautiful Dark 3 2923/21 Tom Quick (PRS)
    Dark, sparse & brooding ambient electronica underscore builds in hope
    3:40
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92321
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  4. Play
    Beautiful Dark 4 (60) 2923/22 Tom Quick (PRS)
    Dark, sparse & brooding ambient electronica
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92322
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  5. Play
    Beautiful Dark 5 (60) 2923/23 Tom Quick (PRS)
    Dark, sparse & brooding ambient electronica. Alt mix
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92323
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  6. Play
    Beautiful Dark 6 (60) 2923/24 Tom Quick (PRS)
    Hopeful ambient electronica with sustained atmospheric fade ending
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92324
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  7. Play
    Beautiful Dark 7 (30) 2923/25 Tom Quick (PRS)
    Dark, sparse & brooding ambient electronica
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92325
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  8. Play
    Beautiful Dark 8 (30) 2923/26 Tom Quick (PRS)
    Hopeful ambient electronica
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92326
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  9. Play
    Beautiful Dark 9 (Sting) 2923/27 Tom Quick (PRS)
    Dark brooding ambient electronica sting
    0:24
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92327
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  10. Play
    Beautiful Dark 10 (Sting) 2923/28 Tom Quick (PRS)
    Moody ambient electronica chord sting
    0:11
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-92328
    • PublisherAudio Network Limited
    • Release Year2017
    Factoid''In a real dark night of the soul, it is always three o' clock in the morning, day after day.'' - F. Scott Fitzgerald
  1. Play
    Alchemy 1432/7 8 mixes Tom Quick (PRS)
    Cold melancholic ambience, develops subtly with distant rhythms
    3:58
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  2. Play
    Exponential 2 2629/36 11 mixes Jeff Dale (PRS) | Tim Reilly (PRS)
    Desolate soundscape builds up to an ambient & warm ending. No pulses
    3:21
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  3. Play
    Force Velocity 2 2813/34 12 mixes Noah Sorota (BMI)
    Mysterious synths develop into pulsing, rhythmic synths then returns to ambience. No perc
    3:02
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  4. Play
    Somewhere Else 2841/2 7 mixes Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Barren, 1980s-inspired soundscape with slow synths & ambient drones
    4:31
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