Track Details

Battle Star 6 (30) 8 mixes

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Battle Star 1393/2 Nick Ingman (PRS) | Terry Devine-King (PRS)
Thriller paced orchestra with rock drums & guitar
1:29
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-39302
  • PublisherAudio Network Limited
  • Release Year2009
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Battle Star 2 (Alt. End) 1393/11 Nick Ingman (PRS) | Terry Devine-King (PRS)
Thriller paced orchestra with rock drums & guitar. Alternative ending
1:25
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-39311
  • PublisherAudio Network Limited
  • Release Year2009
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Battle Star 3 1393/12 Nick Ingman (PRS) | Terry Devine-King (PRS)
Rock drums & guitar underscore. No orchestra
1:13
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-39312
  • PublisherAudio Network Limited
  • Release Year2009
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Battle Star 4 1393/13 Nick Ingman (PRS) | Terry Devine-King (PRS)
Tense orchestral. No drums or rock band
1:18
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-39313
  • PublisherAudio Network Limited
  • Release Year2009
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Battle Star 5 (60) 1393/14 Nick Ingman (PRS) | Terry Devine-King (PRS)
Thriller paced orchestra with rock drums & guitar. Trailer
1:00
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-39314
  • PublisherAudio Network Limited
  • Release Year2009
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Battle Star 6 (30) 1393/15 Nick Ingman (PRS) | Terry Devine-King (PRS)
Thriller paced orchestra with rock drums & guitar. Trailer
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-39315
  • PublisherAudio Network Limited
  • Release Year2009
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
0:07
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-39316
  • PublisherAudio Network Limited
  • Release Year2009
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Battle Star 8 (Sting) 1393/17 Nick Ingman (PRS) | Terry Devine-King (PRS)
Rising orchestral swell followed by powerful sting
0:08
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-39317
  • PublisherAudio Network Limited
  • Release Year2009
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Agent X 1581/4 6 mixes Philip Guyler (PRS) | John Stax (PRS)
Edgy guitar riff with dark strings & indie rock drums
2:39
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Aggression 2431/6 18 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
Hostile rock, builds with powerful orchestra
3:26
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Big Bazookas 2426/4 20 mixes Chris Egan (PRS) | Trystan Francis (PRS)
High octane thriller. Screaming orchestral rock. Spies, guns & big bazookas
2:38
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Duplicity 2431/4 20 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
Tense hand percussion, effects & strings into explosive orchestral rock
2:42
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End Of Time 2483/3 26 mixes Paul Mottram (PRS)
Sinister, powerful orchestra with dynamic strings & dramatic brass
3:01
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Falling Backwards 1368/5 5 mixes Nik Kershaw (PRS)
Grungy indie rock with powerful choruses & string orchestra
1:58
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Feel The Heat 1659/9 13 mixes Terry Devine-King (PRS)
Cinematic rock action/chase with urgent drums & dramatic strings
3:16
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Galaxy 2062/2 9 mixes Terry Devine-King (PRS)
Gradually building strings into epic orchestra with soaring choir
2:31
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Hades 1464/8 5 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
Powerful rock guitars & kit with orchestra & Middle Eastern effects
2:38
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Inferno 1175/2 8 mixes Paul Mottram (PRS) | Gareth Johnson (PRS)
Frenzied orchestral drum 'n' bass. Fast beats
3:27
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Licensed To Kill 1527/4 7 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
Pounding espionage rock with dirty riffs & snarling synths
3:25
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Men In Black 1175/1 8 mixes Paul Mottram (PRS) | Gareth Johnson (PRS)
Glamorous large orchestra with cool drums. All speed boats & roll neck sweaters
3:04
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Rising Above 1963/5 9 mixes Adam Drake (PRS) | Tom Jenkins (PRS)
Tense piano crescendo builds into a full blown rock assault
3:14
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Running Scared 1963/3 9 mixes Adam Drake (PRS) | Tom Jenkins (PRS)
Big, brutal & menacing rock with Middle Eastern influences
2:25
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Shadow Games 1541/8 8 mixes Chris Blackwell (PRS)
Driving, 1960's cinematic spy theme
1:42
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Storming the Armoury 1339/1 13 mixes Christopher Ashmore (PRS) | Benjamin Marks (PRS)
Explosive industrial synths & drums with cinematic marcato strings
2:55
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Threaten 1659/8 12 mixes Terry Devine-King (PRS) | Adam Drake (PRS)
Explosive rock groove with crazed synths & fx. Builds all the way
2:36
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