Track Details

Battle Star 5 (60) - 8 mixes

  1. Play
    Battle Star 1393/2 Nick Ingman (PRS) | Terry Devine-King (PRS)
    Thriller paced orchestra with rock drums & guitar
    1:29
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-39302
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  2. Play
    Battle Star 2 (Alt. End) 1393/11 Nick Ingman (PRS) | Terry Devine-King (PRS)
    Thriller paced orchestra with rock drums & guitar. Alternative ending
    1:25
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-39311
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  3. Play
    Battle Star 3 1393/12 Nick Ingman (PRS) | Terry Devine-King (PRS)
    Rock drums & guitar underscore. No orchestra
    1:13
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-39312
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  4. Play
    Battle Star 4 1393/13 Nick Ingman (PRS) | Terry Devine-King (PRS)
    Tense orchestral. No drums or rock band
    1:18
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-39313
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  5. Play
    Battle Star 5 (60) 1393/14 Nick Ingman (PRS) | Terry Devine-King (PRS)
    Thriller paced orchestra with rock drums & guitar. Trailer
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-39314
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  6. Play
    Battle Star 6 (30) 1393/15 Nick Ingman (PRS) | Terry Devine-King (PRS)
    Thriller paced orchestra with rock drums & guitar. Trailer
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-39315
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  7. 0:07
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-39316
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  8. Play
    Battle Star 8 (Sting) 1393/17 Nick Ingman (PRS) | Terry Devine-King (PRS)
    Rising orchestral swell followed by powerful sting
    0:08
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-39317
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
  1. Play
    Agent X 1581/4 6 mixes Philip Guyler (PRS) | John Stax (PRS)
    Edgy guitar riff with dark strings & indie rock drums
    2:39
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  2. Play
    Aggression 2431/6 18 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
    Hostile rock, builds with powerful orchestra
    3:26
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  3. Play
    Big Bazookas 2426/4 20 mixes Chris Egan (PRS) | Trystan Francis (PRS)
    High octane thriller. Screaming orchestral rock. Spies, guns & big bazookas
    2:38
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  4. Play
    Duplicity 2431/4 20 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
    Tense hand percussion, effects & strings into explosive orchestral rock
    2:42
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  5. Play
    End Of Time 2483/3 26 mixes Paul Mottram (PRS)
    Sinister, powerful orchestra with dynamic strings & dramatic brass
    3:01
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  6. Play
    Falling Backwards 1368/5 5 mixes Nik Kershaw (PRS)
    Grungy indie rock with powerful choruses & string orchestra
    1:58
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  7. Play
    Feel The Heat 1659/9 13 mixes Terry Devine-King (PRS)
    Cinematic rock action/chase with urgent drums & dramatic strings
    3:16
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  8. Play
    Galaxy 2062/2 9 mixes Terry Devine-King (PRS)
    Gradually building strings into epic orchestra with soaring choir
    2:31
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  9. Play
    Hades 1464/8 5 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
    Powerful rock guitars & kit with orchestra & Middle Eastern effects
    2:38
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  10. Play
    Inferno 1175/2 8 mixes Paul Mottram (PRS) | Gareth Johnson (PRS)
    Frenzied orchestral drum 'n' bass. Fast beats
    3:27
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  11. Play
    Licensed To Kill 1527/4 7 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Pounding espionage rock with dirty riffs & snarling synths
    3:25
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  12. Play
    Men In Black 1175/1 8 mixes Paul Mottram (PRS) | Gareth Johnson (PRS)
    Glamorous large orchestra with cool drums. All speed boats & roll neck sweaters
    3:04
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  13. Play
    Rising Above 1963/5 9 mixes Adam Drake (PRS) | Tom Jenkins (PRS)
    Tense piano crescendo builds into a full blown rock assault
    3:14
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  14. Play
    Running Scared 1963/3 9 mixes Adam Drake (PRS) | Tom Jenkins (PRS)
    Big, brutal & menacing rock with Middle Eastern influences
    2:25
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  15. Play
    Shadow Games 1541/8 8 mixes Chris Blackwell (PRS)
    Driving, 1960's cinematic spy theme
    1:42
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  16. Play
    Storming the Armoury 1339/1 13 mixes Christopher Ashmore (PRS) | Benjamin Marks (PRS)
    Explosive industrial synths & drums with cinematic marcato strings
    2:55
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  17. Play
    Threaten 1659/8 12 mixes Terry Devine-King (PRS) | Adam Drake (PRS)
    Explosive rock groove with crazed synths & fx. Builds all the way
    2:36
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