Track Details

Balkan House 2 - 13 mixes

  1. Play
    Balkan House 2527/10 Peter Mayne (PRS)
    Balkan brass house track with glitchy guitar & infectious clarinet melody
    3:22
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-52710
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  2. Play
    Balkan House 2 2527/154 Peter Mayne (PRS)
    Balkan brass house underscore with glitchy guitar. No clarinet melody
    3:20
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52754
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  3. Play
    Balkan House 3 2527/155 Peter Mayne (PRS)
    House underscore with glitchy guitar & minimal electronic bass & drums
    3:21
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52755
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  4. Play
    Balkan House 4 2527/156 Peter Mayne (PRS)
    Acoustic Balkan brass house track with clarinet hook. No drums or fx
    2:55
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52756
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  5. Play
    Balkan House 5 (60) 2527/157 Peter Mayne (PRS)
    Balkan brass house track with glitchy guitar & infectious clarinet melody
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52757
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  6. Play
    Balkan House 6 (30) 2527/158 Peter Mayne (PRS)
    Balkan brass house track with glitchy guitar & infectious clarinet melody
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52758
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  7. Play
    Balkan House 7 (Sting) 2527/159 Peter Mayne (PRS)
    Trombones, tuba & percussion build to climax sting
    0:12
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52759
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  8. Play
    Balkan House 8 (Sting) 2527/160 Peter Mayne (PRS)
    Clarinet & trombone breakdown with cymbal. End of part sting
    0:09
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52760
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  9. Play
    Balkan House 9 (Sting) 2527/161 Peter Mayne (PRS)
    Balkan brass & clarinet interrupted moment sting
    0:09
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52761
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  10. Play
    Balkan House 10 (Sting) 2527/162 Peter Mayne (PRS)
    Guitar & electronics bed. End of part sting
    0:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52762
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  11. Play
    Balkan House 11 (Sting) 2527/163 Peter Mayne (PRS)
    Balkan brass, beats & clarinet sting
    0:04
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52763
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  12. Play
    Balkan House 12 (Sting) 2527/164 Peter Mayne (PRS)
    Acoustic guitar & percussion sting
    0:04
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52764
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  13. Play
    Balkan House 13 (Sting) 2527/165 Peter Mayne (PRS)
    Full Balkan brass, beats & clarinets sting
    0:05
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-52765
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidHouses have been in use since we left the caves, whereas flats first came into use in the imitative couterpoint of the early renaissance in order to avoid unwanted diminished intervals
  1. Play
    Barefoot In The Sand 2444/2 20 mixes Emily Lim (PRS) | Rob Kelly (PRS)
    Lively fusion of Balkan brass & clarinet with Mexican trumpets & percussion
    2:49
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  2. Play
    Black Cat In The Sun 2527/1 23 mixes Emily Lim (PRS) | Rob Kelly (PRS)
    Full-force Balkan brass hooks over a fat groove with punchy breaks
    3:05
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  3. Play
    Russki Nights 2444/9 17 mixes Emily Lim (PRS)
    Sombre Russian melody with expressive violin. Speeds up. Tuba oompah
    2:56
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  4. Play
    Those Gypsy Girls 1784/7 7 mixes Bob Bradley (PRS) | Andrew Griffiths (PRS)
    Gypsy dance party with accordion, cool breakbeats & smokin' Balkan brass
    2:53
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