Track Details

Balafon Haze 8 (30) - 13 mixes

  1. Play
    Balafon Haze 2638/8 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Neutral balafon groove with African percussion & atmospheric textures
    2:32
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63808
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  2. Play
    Balafon Haze 2 2638/79 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Neutral, hypnotic balafon groove with atmospheric textures. No percussion
    2:29
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63879
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  3. Play
    Balafon Haze 3 2638/80 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Spacey atmospheric textures with bass & light tuned percussion groove
    2:29
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63880
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  4. Play
    Balafon Haze 4 2638/81 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Tense, light African percussion groove with atmospheric sound design
    1:52
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63881
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  5. Play
    Balafon Haze 5 (60) 2638/82 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Neutral balafon groove with African percussion & atmospheric textures
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63882
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  6. Play
    Balafon Haze 6 (60) 2638/83 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Spacey atmospheric textures with bass & light tuned percussion groove
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63883
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  7. Play
    Balafon Haze 7 (30) 2638/84 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Neutral balafon groove with African percussion & atmospheric textures
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63884
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  8. Play
    Balafon Haze 8 (30) 2638/85 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Neutral, hypnotic balafon groove with atmospheric textures. No percussion
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63885
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  9. Play
    Balafon Haze 9 (30) 2638/86 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Hypnotic balafon groove with African percussion. Countdown mix
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63886
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  10. Play
    Balafon Haze 10 (30) 2638/87 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Tense, light African percussion groove with atmospheric sound design
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63887
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  11. Play
    Balafon Haze 11 (Sting) 2638/88 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Bright balafon groove with atmospheric sound design sting
    0:05
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63888
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  12. Play
    Balafon Haze 12 (Sting) 2638/89 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Balafon & percussion hit with ambient textures sting
    0:03
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63889
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  13. 0:02
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-63890
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidYellow coloured tennis balls were introduced in 1972 after research revealed that 'optic yellow' balls were easier to see on colour television than their white counterparts.
  1. Play
    Boma 2975/1 16 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense African percussion groove with flutes & sound design. Builds
    2:13
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  2. Play
    Gazimba 2723/6 12 mixes Jody Jenkins (PRS)
    Minimalist Afro-beat village groove with some quirky laptop-tweaked fills
    2:30
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  3. Play
    Light Blue 2638/6 11 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Light, bright marimba with ethnic percussion over ambient sound design
    2:44
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  4. Play
    Moja 3007/8 12 mixes Michael Levine (ASCAP) | Bijan Olia (BMI)
    Hypnotic marimba groove builds with vocal textures, ticking & moody strings
    3:01
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  5. Play
    Morning Peace 2638/1 9 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Chilled, building groove with balafon, hang drum, percussion & sound design
    2:10
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  6. Play
    Neutral 2274/6 10 mixes Lincoln Grounds (PRS) | Richard Rayner (PRS)
    Minimalist marimbas build to inquisitive theme with percussion & fx
    3:07
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  7. Play
    With Every Breath 1677/1 11 mixes Evelyn Glennie (PRS) | Barrie Gledden (PRS) | Chris Bussey (PRS)
    Flowing marimba with hand drums & ethereal soundscape
    3:20
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