Track Details

Back Room 9 (60) - 17 mixes

  1. Play
    Back Room 2065/3 Paul Ressel (PRS)
    Sad yet uplifting cello with deep rhythmic bass, filtered guitar & strings
    3:49
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    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06503
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  2. Play
    Back Room 2 2065/33 Paul Ressel (PRS)
    Sad yet uplifting cello with deep bass, guitar & strings. No percussion
    3:56
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    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06533
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  3. Play
    Back Room 3 2065/34 Paul Ressel (PRS)
    Moody atmospheric underscore with deep rhythmic bass & filtered guitar
    3:56
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    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06534
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  4. Play
    Back Room 4 2065/35 Paul Ressel (PRS)
    Moody ambient textures with filtered beats & percussion
    3:53
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06535
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  5. Play
    Back Room 5 2065/36 Paul Ressel (PRS)
    Sad yet uplifting cello over ambient textures building with strings
    3:52
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06536
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  6. Play
    Back Room 6 (60) 2065/37 Paul Ressel (PRS)
    Sad yet uplifting cello with deep rhythmic bass, filtered guitar & strings
    1:00
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06537
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  7. Play
    Back Room 7 (60) 2065/38 Paul Ressel (PRS)
    Sad yet uplifting cello with deep bass, guitar & strings. No percussion
    1:00
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06538
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  8. Play
    Back Room 8 (60) 2065/39 Paul Ressel (PRS)
    Moody atmospheric underscore with deep rhythmic bass & filtered guitar
    1:00
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06539
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  9. Play
    Back Room 9 (60) 2065/40 Paul Ressel (PRS)
    Moody ambient textures with filtered guitar & percussion
    1:00
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06540
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  10. Play
    Back Room 10 (60) 2065/41 Paul Ressel (PRS)
    Sad yet uplifting cello with filtered guitar, ambient textures & strings
    1:00
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06541
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  11. Play
    Back Room 11 (30) 2065/42 Paul Ressel (PRS)
    Sad yet uplifting cello with deep rhythmic bass, filtered guitar & strings
    0:30
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06542
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  12. Play
    Back Room 12 (30) 2065/43 Paul Ressel (PRS)
    Sad yet uplifting cello with deep bass, guitar & strings. No percussion
    0:30
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06543
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  13. Play
    Back Room 13 (30) 2065/44 Paul Ressel (PRS)
    Moody atmospheric underscore with deep rhythmic bass & filtered guitar
    0:30
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06544
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  14. Play
    Back Room 14 (30) 2065/45 Paul Ressel (PRS)
    Moody ambient textures with filtered guitar & percussion
    0:30
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06545
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  15. Play
    Back Room 15 (30) 2065/46 Paul Ressel (PRS)
    Sad yet uplifting cello with filtered guitar, ambient textures & strings
    0:30
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06546
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  16. Play
    Back Room 16 (Sting) 2065/47 Paul Ressel (PRS)
    Sting with filtered guitar
    0:08
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06547
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  17. Play
    Back Room 17 (Sting) 2065/48 Paul Ressel (PRS)
    Sting with deep bass stabs
    0:08
    Add to favourites Add to cart
    • AlbumOut There 2065
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo121 bpm (ends at 121)
    • Tempo NotesSlow
    • ISRCGB-FFM-14-06548
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidThe guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  1. Play
    Final Day 2000/4 11 mixes Philip Sheppard (PRS)
    An adrenaline rush of building strings with solo acoustic & electric cello
    3:52
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  2. Play
    Gentle Progression 1849/2 7 mixes Philip Guyler (PRS)
    Delicate, uplifting piano evolving with cello, pads & sound design
    2:42
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  3. Play
    Impact Hour 2 1933/52 6 mixes Philip Guyler (PRS)
    Emotional drama builds with recurring melodic hook, sad cello & strings
    3:00
    Add to favourites Add to cart
  4. Play
    Old Ways 2065/5 15 mixes Paul Ressel (PRS)
    Sad uplifting melody with soaring Theremin, strings & electronic percussion
    3:35
    Add to favourites Add to cart
  5. Play
    Paste The Sky 4 2024/8 17 mixes Paul Ressel (PRS)
    Piano & cello play over building textures with electric guitar climax
    4:02
    Add to favourites Add to cart
  6. Play
    Pressure Cooker 2449/9 20 mixes David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Dark, restless electronic bass with Middle-Eastern inspired cello & strings
    2:56
    Add to favourites Add to cart
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