Track Details

Arachnophobia 7 mixes

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Arachnophobia 1044/1 Evelyn Glennie (PRS)
Threatening, building percussion effects with occasional shocks. Includes distant whispers
2:48
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  • AlbumDrama 1044
  • KeyN/A (ends in N/A)
  • Metre4/4
  • Tempo80 bpm (ends at 80)
  • Tempo NotesVery Slow
  • ISRCGB-FFM-03-04401
  • PublisherAudio Network Limited
  • Release Year2003
FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
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Arachnophobia 2 1044/10 Evelyn Glennie (PRS)
Threatening, abstract percussion effects. No crescendos or muttering. Includes shaker rhythm
2:41
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  • AlbumDrama 1044
  • KeyN/A (ends in N/A)
  • Metre4/4
  • Tempo80 bpm (ends at 80)
  • Tempo NotesVery Slow
  • ISRCGB-FFM-03-04410
  • PublisherAudio Network Limited
  • Release Year2003
FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
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Arachnophobia 3 1044/11 Evelyn Glennie (PRS)
Threatening, abstract percussion effects. No crescendos, muttering or shaker rhythm
2:42
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  • AlbumDrama 1044
  • KeyN/A (ends in N/A)
  • Metre4/4
  • Tempo80 bpm (ends at 80)
  • Tempo NotesVery Slow
  • ISRCGB-FFM-03-04411
  • PublisherAudio Network Limited
  • Release Year2003
FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
Play
Arachnophobia 4 1044/12 Evelyn Glennie (PRS)
Threatening, abstract building percussion. Low effects from main mix
2:36
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  • AlbumDrama 1044
  • KeyN/A (ends in N/A)
  • Metre4/4
  • Tempo80 bpm (ends at 80)
  • Tempo NotesVery Slow
  • ISRCGB-FFM-03-04412
  • PublisherAudio Network Limited
  • Release Year2003
FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
Play
Arachnophobia 5 1044/13 Evelyn Glennie (PRS)
Threatening, abstract building percussion. High effects from main mix
2:31
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  • AlbumDrama 1044
  • KeyN/A (ends in N/A)
  • Metre4/4
  • Tempo80 bpm (ends at 80)
  • Tempo NotesVery Slow
  • ISRCGB-FFM-03-04413
  • PublisherAudio Network Limited
  • Release Year2003
FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
Play
Arachnophobia 6 1044/14 Evelyn Glennie (PRS)
Spooky muttering from Arachnophobia
1:02
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  • AlbumDrama 1044
  • KeyN/A (ends in N/A)
  • Metre4/4
  • Tempo80 bpm (ends at 80)
  • Tempo NotesVery Slow
  • ISRCGB-FFM-03-04414
  • PublisherAudio Network Limited
  • Release Year2003
FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
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Arachnophobia 7 (Sting) 1044/15 Evelyn Glennie (PRS)
Violent crash from thunder sheets
0:12
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  • AlbumDrama 1044
  • KeyN/A (ends in N/A)
  • Metre4/4
  • Tempo80 bpm (ends at 80)
  • Tempo NotesVery Slow
  • ISRCGB-FFM-03-04415
  • PublisherAudio Network Limited
  • Release Year2003
FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
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Bullroarer 1053/12 1 mixes Evelyn Glennie (PRS)
Long building drone created by a bullroarer swung in a circle.
1:52
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Cosmic Dawn 1381/8 4 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
Deep pulsating bass with haunting piano, strings & aliens
2:16
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Covert Mission 1971/2 3 mixes Paul Clarvis (PRS)
Dark, tense solo percussion. Minimally malevolent
2:35
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Dare To Hope 1407/4 8 mixes Barrie Gledden (PRS) | Evelyn Glennie (PRS)
Eerie percussion & orchestra develops to haunting piano motif
3:33
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Disturbia 1577/4 8 mixes Barrie Gledden (PRS) | Chris Bussey (PRS) | Evelyn Glennie (PRS)
Brooding darkscape with desperate tortured moans & glitching pulses
3:44
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Face Eater 2254/4 6 mixes Ceiri Torjussen (BMI)
Static string chords, clusters & weird sound fx. Builds to hit
1:44
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Lost In Space 1832/2 8 mixes David O'Brien (PRS)
Dark, sinister textures punctuated by strange alien events
3:53
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The Sickening 1507/8 5 mixes Tom Quick (PRS)
Chilling, horror ambience. Building spookily. Something is very much amiss
3:37
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Vampire Playground 1577/2 7 mixes Barrie Gledden (PRS) | Chris Bussey (PRS)
Dank eerie soundscape with dark & demonic pads & effects. Chilling
2:38
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Wild Cat 1621/8 6 mixes Philip Guyler (PRS)
Atmospheric drone with drums & percussion building to end
2:27
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