Track Details

Arachnophobia 4 - 7 mixes

  1. Play
    Arachnophobia 1044/1 Evelyn Glennie (PRS)
    Threatening, building percussion effects with occasional shocks. Includes distant whispers
    2:48
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    • AlbumDrama 1044
    • KeyN/A (ends in N/A)
    • Metre4/4
    • Tempo80 bpm (ends at 80)
    • Tempo NotesVery Slow
    • ISRCGB-FFM-03-04401
    • PublisherAudio Network Limited
    • Release Year2003
    FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
  2. Play
    Arachnophobia 2 1044/10 Evelyn Glennie (PRS)
    Threatening, abstract percussion effects. No crescendos or muttering. Includes shaker rhythm
    2:41
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    • AlbumDrama 1044
    • KeyN/A (ends in N/A)
    • Metre4/4
    • Tempo80 bpm (ends at 80)
    • Tempo NotesVery Slow
    • ISRCGB-FFM-03-04410
    • PublisherAudio Network Limited
    • Release Year2003
    FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
  3. Play
    Arachnophobia 3 1044/11 Evelyn Glennie (PRS)
    Threatening, abstract percussion effects. No crescendos, muttering or shaker rhythm
    2:42
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    • AlbumDrama 1044
    • KeyN/A (ends in N/A)
    • Metre4/4
    • Tempo80 bpm (ends at 80)
    • Tempo NotesVery Slow
    • ISRCGB-FFM-03-04411
    • PublisherAudio Network Limited
    • Release Year2003
    FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
  4. Play
    Arachnophobia 4 1044/12 Evelyn Glennie (PRS)
    Threatening, abstract building percussion. Low effects from main mix
    2:36
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    • AlbumDrama 1044
    • KeyN/A (ends in N/A)
    • Metre4/4
    • Tempo80 bpm (ends at 80)
    • Tempo NotesVery Slow
    • ISRCGB-FFM-03-04412
    • PublisherAudio Network Limited
    • Release Year2003
    FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
  5. Play
    Arachnophobia 5 1044/13 Evelyn Glennie (PRS)
    Threatening, abstract building percussion. High effects from main mix
    2:31
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    • AlbumDrama 1044
    • KeyN/A (ends in N/A)
    • Metre4/4
    • Tempo80 bpm (ends at 80)
    • Tempo NotesVery Slow
    • ISRCGB-FFM-03-04413
    • PublisherAudio Network Limited
    • Release Year2003
    FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
  6. Play
    Arachnophobia 6 1044/14 Evelyn Glennie (PRS)
    Spooky muttering from Arachnophobia
    1:02
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    • AlbumDrama 1044
    • KeyN/A (ends in N/A)
    • Metre4/4
    • Tempo80 bpm (ends at 80)
    • Tempo NotesVery Slow
    • ISRCGB-FFM-03-04414
    • PublisherAudio Network Limited
    • Release Year2003
    FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
  7. Play
    Arachnophobia 7 (Sting) 1044/15 Evelyn Glennie (PRS)
    Violent crash from thunder sheets
    0:12
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    • AlbumDrama 1044
    • KeyN/A (ends in N/A)
    • Metre4/4
    • Tempo80 bpm (ends at 80)
    • Tempo NotesVery Slow
    • ISRCGB-FFM-03-04415
    • PublisherAudio Network Limited
    • Release Year2003
    FactoidThis track uses crotales (small bells), shakers, blossom bells, waterphones a spring drum and muttering by Evelyn Glennie with the Audio Network staff. Evelyn brought a lorry with around 600 instruments to this recordings. She has a collection of 1800 instruments at her own studio.
  1. Play
    Bullroarer 1053/12 1 mixes Evelyn Glennie (PRS)
    Long building drone created by a bullroarer swung in a circle.
    1:52
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  2. Play
    Cosmic Dawn 1381/8 4 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
    Deep pulsating bass with haunting piano, strings & aliens
    2:16
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  3. Play
    Covert Mission 1971/2 3 mixes Paul Clarvis (PRS)
    Dark, tense solo percussion. Minimally malevolent
    2:35
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  4. Play
    Dare To Hope 1407/4 8 mixes Barrie Gledden (PRS) | Evelyn Glennie (PRS)
    Eerie percussion & orchestra develops to haunting piano motif
    3:33
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  5. Play
    Disturbia 1577/4 8 mixes Barrie Gledden (PRS) | Chris Bussey (PRS) | Evelyn Glennie (PRS)
    Brooding darkscape with desperate tortured moans & glitching pulses
    3:44
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  6. Play
    Face Eater 2254/4 6 mixes Ceiri Torjussen (BMI)
    Static string chords, clusters & weird sound fx. Builds to hit
    1:44
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  7. Play
    Lost In Space 1832/2 8 mixes David O'Brien (PRS)
    Dark, sinister textures punctuated by strange alien events
    3:53
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  8. Play
    The Sickening 1507/8 5 mixes Tom Quick (PRS)
    Chilling, horror ambience. Building spookily. Something is very much amiss
    3:37
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  9. Play
    Vampire Playground 1577/2 7 mixes Barrie Gledden (PRS) | Chris Bussey (PRS)
    Dank eerie soundscape with dark & demonic pads & effects. Chilling
    2:38
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  10. Play
    Wild Cat 1621/8 6 mixes Philip Guyler (PRS)
    Atmospheric drone with drums & percussion building to end
    2:27
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