Track Details

Active Life - 12 mixes

  1. Play
    Active Life 1540/10 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Crowd pleasing bouncy synth lines with positive grooves & sweeping pads
    4:15
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    • Tempo NotesMedium
    • ISRCGB-FFM-10-54010
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  2. Play
    Active Life 2 1540/84 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Bouncy synth lines with sweeping pads. No beats underscore
    2:37
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    • Tempo NotesMedium
    • ISRCGB-FFM-10-54084
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  3. Play
    Active Life 3 1540/85 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Crowd pleasing positive grooves underscore with beats & bass only
    2:02
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    • Tempo NotesMedium
    • ISRCGB-FFM-10-54085
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  4. Play
    Active Life 4 (60) 1540/86 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Crowd pleasing bouncy synth lines with positive grooves & sweeping pads
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54086
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  5. Play
    Active Life 5 (60) 1540/87 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Bouncy synth lines with sweeping pads. No beats underscore
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54087
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  6. Play
    Active Life 6 (60) 1540/88 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Crowd pleasing positive grooves underscore with beats & bass only
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54088
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  7. Play
    Active Life 7 (30) 1540/89 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Crowd pleasing bouncy synth lines with positive grooves & sweeping pads
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54089
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  8. Play
    Active Life 8 (30) 1540/90 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Bouncy synth lines with sweeping pads. No beats underscore
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54090
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  9. Play
    Active Life 9 (30) 1540/91 Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Crowd pleasing positive grooves underscore with beats & bass only
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54091
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  10. Play
    0:05
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54092
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  11. 0:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54093
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  12. 0:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-10-54094
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track builds on the history of dance music. By 1981 a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and sequencing as found in disco continued to be used as creative techniques within trance music, techno music and house music.
  1. Play
    Can't Wait for the Weekend 1540/2 12 mixes Barrie Gledden (PRS) | Steve Dymond (PRS) | Jason Pedder (PRS)
    Uplifting feel good electro pop with male vocal hooks after 1m 17s
    3:17
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  2. Play
    Club 3000 1493/1 6 mixes Bob Bradley (PRS)
    Clubby electro house with futuristic synths, dirty bass & hi-energy rhythms
    2:43
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  3. Play
    Designer 1346/1 4 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Funky electro house with dreamy pads, synths & clav
    4:01
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  4. Play
    Electro Boy 1555/4 8 mixes Barrie Gledden (PRS) | Chris Bussey (PRS)
    Mid tempo Euro dance electro groove
    4:13
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  5. Play
    Five Dollar Bill 1782/4 11 mixes Jason Pedder (PRS) | Ben Ziapour (PRS)
    Positive uplifting glamour pop with beefy bass, 80s synths & retro guitar
    2:43
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  6. Play
    Glitter Sticker 2 1616/8 12 mixes Bob Bradley (PRS) | Matt Sanchez (PRS) | Steve Dymond (PRS) | Sarah Wassall (PRS)
    Electro pop instrumental with glitchy & euphoric synths. Builds
    2:52
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  7. Play
    3:34
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  8. Play
    Party Night 1540/1 9 mixes Gareth Johnson (PRS)
    Positive electro pop with thumping drums & sweeping pads
    3:39
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  9. Play
    Porous Heart 2914/2 13 mixes Raithe Laurence (PRS)
    Upbeat synth led pop with driving mid-tempo beats, bass & handclaps
    2:51
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  10. Play
    Stupido 1540/4 9 mixes Gareth Johnson (PRS)
    French Electro house. Robotic groove with vintage synths & catchy hooks
    3:45
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  11. Play
    Triosonic 1111/5 7 mixes David O'Brien (PRS)
    Bright French style electro funk. Bouncy groove with feelgood synth line
    3:42
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