3:23
Mystical Arabic Ney flute melody building into percussive underscore and florid top line
Key
Cm (ends in Cm)
Metre
4/4
Tempo100 bpm (ends at 100)
Tempo NotesMedium
ISRCGB-FFM-03-05203
Publisher
Audio Network Plc
Factoid
Arabesque is a term generally applied to a florid element in Arabian architecture. It is equally applicable to florid Arabian music and has been used in relation to works by both Schumann and Debussy
2:09
Percussive Arabic underscore. String and rhythm mix
Key
Cm (ends in Cm)
Metre
4/4
Tempon/a
Tempo NotesMedium
ISRCGB-FFM-03-05223
Publisher
Audio Network Plc
Factoid
Arabesque is a term generally applied to a florid element in Arabian architecture. It is equally applicable to florid Arabian music and has been used in relation to works by both Schumann and Debussy
2:20
Percussive Arabic underscore, rhythm mix
Key
Cm (ends in Cm)
Metre
4/4
Tempon/a
Tempo NotesMedium
ISRCGB-FFM-03-05224
Publisher
Audio Network Plc
Factoid
Arabesque is a term generally applied to a florid element in Arabian architecture. It is equally applicable to florid Arabian music and has been used in relation to works by both Schumann and Debussy
2:58
Quiet pad under Turkish Ney solo.
Key
Cm (ends in Cm)
Metre
4/4
Tempon/a
Tempo NotesMedium
ISRCGB-FFM-03-05226
Publisher
Audio Network Plc
Factoid
Arabesque is a term generally applied to a florid element in Arabian architecture. It is equally applicable to florid Arabian music and has been used in relation to works by both Schumann and Debussy
0:30
Mystical, percussive, Arabic percussion
Key
Cm (ends in Cm)
Metre
4/4
Tempon/a
Tempo NotesMedium
ISRCGB-FFM-03-05227
Publisher
Audio Network Plc
Factoid
Arabesque is a term generally applied to a florid element in Arabian architecture. It is equally applicable to florid Arabian music and has been used in relation to works by both Schumann and Debussy
0:30
Mystical, percussive, Arabic percussion
Key
Cm (ends in Cm)
Metre
4/4
Tempon/a
Tempo NotesMedium
ISRCGB-FFM-03-05228
Publisher
Audio Network Plc
Factoid
Arabesque is a term generally applied to a florid element in Arabian architecture. It is equally applicable to florid Arabian music and has been used in relation to works by both Schumann and Debussy
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