Marauding Masses - 11 mixes

3:21
Mighty, intimidating full orchestra. Martial & unrelenting
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/1
ISRCGB-FFM-07-21601
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
3:21
Large, tense orchestra. Fewer big drums
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/8
ISRCGB-FFM-07-21608
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
2:47
Tense orchestral underscore. No brass
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/9
ISRCGB-FFM-07-21609
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
2:07
Tense orchestral underscore. Basses, cellos & snare
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/10
ISRCGB-FFM-07-21610
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
1:12
Tense orchestral underscore. Basses & orchestral bass drum
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/11
ISRCGB-FFM-07-21611
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
0:42
Tense orchestral brass
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/12
ISRCGB-FFM-07-21612
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
0:08
Large orchestral sting/stab
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/13
ISRCGB-FFM-07-21613
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
0:07
Large orchestral sting/stab
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/14
ISRCGB-FFM-07-21614
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
0:07
Large orchestral sting/stab. Single hit
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/15
ISRCGB-FFM-07-21615
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
1:14
Tense orchestral percussion
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/49
ISRCGB-FFM-07-21649
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
1:19
Mighty, intimidating full orchestra. Martial & unrelenting. Trailer
 
Key Am (ends in Am)
Metre 4/4
Tempo189 bpm (ends at 189)
Tempo NotesFast
Album Number1216/50
ISRCGB-FFM-07-21650
Publisher Audio Network Plc
Release Year 2007
 
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.

If you like Marauding Masses you might also like

3:11
Tense, pulsing orchestra with epic rock drums & effects
 
2:03
Menacing, pagan orchestral strings building with drums & brass
 
1:28
Threatening low orchestra builds with breathless scariness
 
2:04
Wild, ominous & dark orchestra & choir. Entirely over the top
 
2:42
Suspense filled orchestral thriller with blaring brass & rapid strings
 
1:40
Anxious percussion with tense orchestra. No choir
 
3:21
Mechanical martial orchestral horror with heavy military percussion. Builds
 
2:38
Restless, imposing orchestral
 
2:55
Explosive industrial synths & drums with cinematic marcato strings
 
 
×

Music Usage

Please select your usage type for prices of tracks

JUST
$1.25
PER TRACK (NO VAT)

Download for Personal Use

Covers downloading for personal audio-only use and storage. This includes saving the file on your computer or mp3 player and listening to the track.

If you wish to use the music track(s) in an audio-visual production you will need to take out either the Home / Student Productions licence, or one of our professional licences, depending on the usage type.

JUST
$1.35
PER TRACK (Excl.VAT)

Home / Student Productions

Covers music for synchronisation use in a single non-commercial home/student film or other multi-media project. This includes productions created at home, within an education facility, community centre or religious establishment. You are permitted to distribute the finished audio-visual production to friends and family, festivals, or third party content sites such as YouTube.
This usage type excludes any form or commercial exploitation, or the promotion of a business or service.

UP TO
$150
PER TRACK (Excl.VAT)

Online / Corporate / Charity Productions

Covers music for synchronisation use in a single corporate, charity or brand film, computer game, app or multimedia presentation. This covers distribution on websites (including third party content sites such as YouTube or Vimeo), DVD and live events.
This usage type excludes productions for TV, Radio and Film, commercials for Cinema, Radio and Television, productions for Retail Sale or Cover Mount and Audio-only CDs. Please contact us if you wish to discuss clearing these additional rights.
Public performance of the finished production on a web site or at a live event will require an additional public performance licence from the relevant collection society in your territory. However, public performance on user-generated content sites such as YouTube should already be covered by the site owner’s licence.

Please contact us for details of campaign discounts or to speak to someone from your local office.

UP TO
$195
PER TRACK (Excl.VAT)

TV / Radio / Film Productions

Covers music for synchronisation use in a single TV, Radio and Film production. All rights in the sound recording and musical work are cleared for the world, for multi-platform distribution, in perpetuity. The above licence clears the rights for one programme or episode. Please contact us if you wish to use the track in multiple programmes, or episodes.
This usage type excludes Cinema, Radio and Television commercials, productions for Retail Sale or Cover Mount, Audio-only CDs and any Public Performance

Please contact us for details of campaign discounts or to speak to someone from your local office.

JUST
$300
PER TRACK (Excl.VAT)

Radio Commercials

Covers music for synchronisation use in a single Radio commercial. All rights in the sound recording and musical work are cleared for the world, for multi-platform distribution, in perpetuity.
Different versions of commercials require separate licences.

Please contact us for details of campaign discounts or to speak to someone from your local office.

JUST
$495
PER TRACK (Excl.VAT)

TV / Cinema Commercials

Covers music for synchronisation use in a single TV or Cinema commercial. All rights in the sound recording and musical work are cleared for the world, for multi-platform distribution, in perpetuity.
Different versions of commercials require separate licences.

Please contact us for details of campaign discounts or to speak to someone from your local office.

Unauthorised synchronisation use, copying, hiring, lending, broadcast and public performance are strictly prohibited.





Forgotten your password?
Not yet registered? ×

×

We’d love your feedback on our website

What’s the feedback regarding?

How is it for you?

What page were you on?

Let’s have that feedback!

What steps should our web team take to reproduce this?

My email address

My setup

Send Feedback

support@audionetwork.com