2:04
Beamingly jolly vintage orchestral caper
Key
D (ends in D)
Metre
4/4
Tempo112 bpm (ends at 112)
Tempo NotesMedium
ISRCGB-FFM-09-32807
Publisher
Audio Network Plc
Factoid
Mixed at Phoenix, Pinewood Studios. The last time Ray Davies worked at Pinewood was in 1950 when he played on a Charlie Chaplin film. On that occasion he also met Igor Stravinsky who signed a copy of the Rite of Spring for him
2:09
Jolly vintage orchestral caper, with mono effect
Key
D (ends in D)
Metre
4/4
Tempo112 bpm (ends at 112)
Tempo NotesMedium
ISRCGB-FFM-09-32849
Publisher
Audio Network Plc
Factoid
Mixed at Phoenix, Pinewood Studios. The last time Ray Davies worked at Pinewood was in 1950 when he played on a Charlie Chaplin film. On that occasion he also met Igor Stravinsky who signed a copy of the Rite of Spring for him
0:59
Beamingly jolly vintage orchestral caper
Key
D (ends in D)
Metre
4/4
Tempo112 bpm (ends at 112)
Tempo NotesMedium
ISRCGB-FFM-09-32850
Publisher
Audio Network Plc
Factoid
Mixed at Phoenix, Pinewood Studios. The last time Ray Davies worked at Pinewood was in 1950 when he played on a Charlie Chaplin film. On that occasion he also met Igor Stravinsky who signed a copy of the Rite of Spring for him
0:30
Beamingly jolly vintage orchestral caper
Key
D (ends in D)
Metre
4/4
Tempo112 bpm (ends at 112)
Tempo NotesMedium
ISRCGB-FFM-09-32851
Publisher
Audio Network Plc
Factoid
Mixed at Phoenix, Pinewood Studios. The last time Ray Davies worked at Pinewood was in 1950 when he played on a Charlie Chaplin film. On that occasion he also met Igor Stravinsky who signed a copy of the Rite of Spring for him
0:06
Vintage orchestral sting/fanfare
Key
D (ends in D)
Metre
4/4
Tempo112 bpm (ends at 112)
Tempo NotesMedium
ISRCGB-FFM-09-32852
Publisher
Audio Network Plc
Factoid
Mixed at Phoenix, Pinewood Studios. The last time Ray Davies worked at Pinewood was in 1950 when he played on a Charlie Chaplin film. On that occasion he also met Igor Stravinsky who signed a copy of the Rite of Spring for him
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